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...stocky Ben Hecht could look down the rungs of a long, golden ladder. He had left Racine, Wis. in his teens with the idea of becoming a violinist. He became a boy-wonder newspaperman (Chicago Daily News) instead. In 1921 he wrote an involved but honest novel, Erik Dorn, but soon found his real bent in writing plays (like The Front Page, co-authored with Charles MacArthur) and dashing off lush Hollywood scripts for $5,000 a week. "I was always able to make large sums of money without giving money any thought," Hecht says. But an internal hunger (Hecht...

Author: /time Magazine | Title: REFLECTIONS: Umbrella into Cutlass | 6/16/1947 | See Source »

...slant, but is really old folderol under new flags. It is one more tale of a man and girl divided by everything but their love for each other; only here, instead of being Guelph & Ghibelline, or Roundhead & Cavalier, they are a Soviet officer and an American newspaper correspondent (Philip Dorn & Claire Trevor). They meet in Russian-occupied Austria-the girl is there on her own, looking for an American who did treasonable broadcasts for the Nazis; the Russian is on furlough. While fighting over ideologies, they fall in love; between kisses the girl confides that she is looking...

Author: /time Magazine | Title: The Theater: New Play in Manhattan, Jan. 20, 1947 | 1/20/1947 | See Source »

...twelve, of Rachmaninoff's Second Piano Concerto, "I've Always Loved You" concerns itself with the silliest three people of recent screen history. If it had been played by the Marx Bros., the picture might have had a certain drollness. As it is, played in grim earnest by Philip Dorn, Catherine McLeod, and William Carter, it is slightly hideous...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/25/1946 | See Source »

...Dorn plays Leopold Goronoff, as great a conductor and pianist as his name would suggest, and personally accounts for fourteen of the twenty-three Rachmaninoff tidbits. He discovers a budding young pianistic genius on a Pennsylvania farm in the person of Myra Hassman, who plays the Concerto twenty-seven times and addresses Goronoff incessantly as "Maestro." At her New York debut she plays guess what too well to suit Goronoff's touchy ego, so they split and she marries a Pennsylvania farmer who's Almost as good and kind as he is stupid. After a number of obvious events masquerading...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 11/25/1946 | See Source »

...distraught heroine (Catherine McLeod) is a musically talented Trilby, dominated by her teacher, great Pianist Philip Dorn. With his mother (Mme. Ouspenskaya) as chaperone, they tour the world, lounging around between smashingly successful concerts in what must be the world's flossiest and most costly hotel accommodations. Pianist Philip Dorn is jealous of his talented pupil as a musician, but he never really sees her as a woman until after she has morosely gone off to marry her childhood sweetheart (William Carter...

Author: /time Magazine | Title: Cinema: The New Pictures, Sep. 16, 1946 | 9/16/1946 | See Source »

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