Word: dornbusch
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
...late 1950s and the 1960s, the new economists are now professors in their own right at universities around the country. Among them: Martin Feldstein, 39, of Harvard, who is the leading thinker in the group; Robert Lucas, 41, of the University of Chicago; Michael Boskin, 33, of Stanford; Rudiger Dornbusch, 37, and Stanley Fischer, 35, both of M.I.T.; as well as many, many others...
...RUDIGER DORNBUSCH, 37. While the Keynesians can flaunt the master's classic, General Theory, and the monetarists can flourish Milton Friedman's A Monetary History of the United States, the closest that the new economists have to such a tome is a 651-page text, Macroeconomics, by Dornbusch and Stanley Fischer, 35, both professors at M.I.T. Published in 1977, it has become the largest selling advanced economics text. The authors' central thesis reflects the new economists' nagging uncertainty about the omnipotence of their own profession. They contend that the complex computer models used to predict...
...specialty of international monetary policy, Dornbusch opposes the efforts of the Federal Reserve and foreign central banks to prop the dollar's value by buying up billions on the international money exchanges. His preference: let the dollar float freely until it reaches its real market value. Dornbusch takes much the same hands-off attitude toward trade: the U.S. should not protect its industries from foreign competition, and, conversely, it should insist that its trading partners reciprocate. In a free global market, Americans would be forced to face up to the fact that either the nation controls its inflation...
...search of the woman worthy of his heroic self-sacrifice, Tarnopol throws aside such winners, such female Tarnopols, as Dina Dornbusch (Sarah Lawrence, "rich, pretty, smart, sexy, adoring") on the way to his perfect losing cause. Maureen Johnson is a twice-divorced ex-barmaid out of Elmira, N.Y., afflicted by artiness, more than a touch of paranoia and a very odd walk. Roth often seems as baffled as the reader as to why Tarnopol should marry this "cornball Clytemnestra" for whom he feels no affection or even lust. Does Maureen represent the muse of disorder, the Dionysian element every artist...