Word: dorothea
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Dates: during 1960-1969
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...similarly convincing impression of exhaustion. Judith Wells' Myrrhina is a bit colorless at first, but in the scene where she is commanded by Lysistrata to raise Cinesias to fever pitch and then leave him high and dry, she becomes a genuinely enticing piece, a bit of voluptuous femininity. Unfortunately, Dorothea Chunis as Kalonike and Elin Diamond as a bucolic Theban woman had roles far too small for actresses of their ability; Miss Diamond, in particular, created an unforgettable character with several grunts, a grimace or two, and some well-timed spitting...
...THEIR Depression studies, Walker Evans and Dorothea Lange set examples of the formal, restricted composition, eliminating extraneous details, while avoiding both didacticism and ambiguity. Only about a quarter of the Harlem display falls into this category of formal photography. But the pictures that do form the show's core. The charges of superficiality that have been hurled about can hardly be leveled against Aaron Siskind's "Black Sleeping below White Pinups," Gordon Parks' character studies, or Steve Schapiro's militant "Motorcyclist" with a Kennedy lapel pin held in his teeth. Both visually arresting and intensely personal, these photographs make individual...
...oppressiveness. It is less poverty than ultimate bleakness that is Bonnie and Clyde's landscape. Times are hard, but it is the place rather than the time which shapes the society Penn portrays. His view of the depression is closer to that of Walker Evans than Dorothea Lange, and he has peopled his film with faces of unspectacular emptiness. Everyone is dispossessed: those who hold jobs are as desperate and restless as those who roam the territory in broken-down trucks. The desolation of the environment shapes the lethargy and fustration of its population...
...aspect of one person. For that reason, the subject's name often is not used as the title of the picture. The viewer must put emotion into Marian Palfri's flashbulb picture of the sphinx-faced Negro woman, "Wife of a Victim of a Mob Lynching." A photograph by Dorothea Lange changes from a picture of a smiling grandmother to a beaming representation of boundless green nostalgia: "God Bless Nora Kennally, Country Clare, Ireland...
This generation--call it mod, pop, turned-on, hip, or any of the other catch phrases of this label-happy era--asserted itself by establishing a new standard of moral behavior. The process obviously involved redefinition: in the '30's, photographer meant Stieglitz, Steichen, Dorothea Lange; now photographer means cool. But Michaelangelo Antonioni has other ideas...