Word: dorothea
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...photographers. Many of the photographers--working with sophisticated cameras that can produce an occasional striking image almost without human intervention--won a brief success. But three successive decades have drastically winnowed their numbers, and only a few now stand in the ranks of mastery that include such predecessors as Dorothea Lange and Walker Evans...
DIED. ROSALIE GWATHMEY, 92, photographer of Southern black life and mother of the architect Charles Gwathmey; in Amagansett, N.Y. In the 1940s, Gwathmey chronicled the communities around her hometown of Charlotte, N.C. In 1951 she and a group of her New York colleagues, including Dorothea Lange and Berenice Abbott, were deemed subversive, and in 1955, frustrated by the inhospitable atmosphere, she threw out her negatives and walked away from her craft. For the rest of her life, Gwathmey and the photographic community rarely celebrated her work, until a 1994 show revived interest in her photographs of everyday Southern life...
...heavy on fashion and portraiture. But it's a highly credible assortment, brainy and fun, with samples from most of the major episodes of 20th century photography. There's a fair selection of greatest hits--Edward Steichen's 1924 portrait of Gloria Swanson behind a scrim of black lace, Dorothea Lange's inevitable Migrant Mother of 1936--and some less familiar examples by big names. Everybody has seen Edward Weston's nudes, but probably not the one here, from 1927, which turns a pair of legs, tightly folded at the knees, into nestled loaves of Italian bread...
...heavy on fashion and portraiture. But it's a highly credible assortment, brainy and fun, with samples from most of the major episodes of 20th century photography. There's a fair selection of greatest hits - Edward Steichen's 1924 portrait of Gloria Swanson behind a scrim of black lace, Dorothea Lange's inevitable Migrant Mother of 1936 - and some less familiar examples by big names. Everybody has seen Edward Weston's nudes, but probably not the one here, from 1927, which turns a pair of legs, tightly folded at the knees, into nestled loaves of Italian bread...
...during the Old Kingdom that Egypt came of age as a civilization. It was also, says Dorothea Arnold, curator in charge of the Met's Egyptian department, the time when art began to flourish. "It was invented and stylized then," she says, "and it stayed that way for 2,000 to 3,000 years. This was a time when the human figure was at the center of art. When people asked, 'Who are we? What is death?' These people came to grips with death by cherishing life, by transforming human figures into stone in order to preserve them forever...