Word: dos
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Dates: during 1930-1939
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...Siegfried Sassoon (Memoirs of an Infantry Officer), Robert Graves (Goodbye to All That), Germany's Fritz von Unruh (Way of Sacrifice), Erich Remarque (All Quiet on the Western Front), Arnold Zweig (The Case of Sergeant Grischa), Franz Werfel (The Forty Days of Musa Dagh), America's John Dos Passes (Three Soldiers) have all added to the slowly mounting testimony as to what degree of murder war actually is. Last week another U. S. author added his docket to the record...
Adapted by John Dos Passos from a novel by Pierre Louys, filmed in Director von Sternberg's best darkly sardonic style, The Devil Is a Woman is a slow, rococo anecdote about the vicious sex-life of a Spanish cafe dancer (Dietrich) and the middle-aged army officer (Lionel Atwill) whose career is shattered by his morbid passion for her. Infinitely more adult in its approach to human values than such a picture as The Scoundrel (see above), this effort by one of Hollywood's most famed directors is correspondingly more childish in its manner. After winding through...
...Great American Novel has not yet been written. Herman Melville did several chapters of it, Walt Whitman some chapter headings, Henry James an appendectiform footnote. Mark Twain roughed out the comic bits, Theodore Dreiser made a prehistoric-skeleton outline, Sinclair Lewis, John Dos Passos, Ernest Hemingway all contributed suggestions. Last week it began to look as if Thomas Wolfe might also be at work on this hypothetical volume. His first installment (Look Homeward, Angel) appeared five years ago, his second (Of Time and the River) last week. In the interval Author Wolfe had written some 2,000,000 words...
Luis Quintanilla, 39, muralist, etcher, humanist and Spanish Republican, held his first one-man show in the U. S. last week. Pierre Matisse was his sponsor, Ernest Hemingway and John Dos Passos his patrons and apologists. On the sober walls of the Matisse Gallery 39 of Quintanilla's etchings were lined up, all handsomely mounted and glassed. Critics, collectors, and ladies in long mink coats all hurried up to see them. But Luis Quintanilla was not excited. In Madrid behind the bars of the Central Prison he was fighting for his life...
Mary Hoover, who had worked with Luis Quintanilla on some of his Madrid frescoes, brought a heavy package of etched zinc plates to the U. S. Author Hemingway paid for pulling a small edition of proofs, and Pierre Matisse was glad to give them a Manhattan showing. John Dos Passos wrote a short, able introduction to the catalog. Ernest Hemingway, still hot under his size 16 collar, pounded out a 1,500-word essay that described his friend's plight, his art, and formed a collector's item. Excerpt...