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...spineless section chief for caving in to the pressure of office politics. On the surface, Author Burnett's tale, revolving about a big U.S. airline, is merely one more in the long list of novels, from Frank Norris' The Octopus to Sinclair Lewis' Babbitt and John Dos Passos' The Big Money, that show businessmen at their materialistic worst. Yet for all the angry talk of flint-hearted, fatheaded bosses, there is a big difference in Company Man that is symptomatic of the spate of new novels rediscovering the American business scene. A businessman himself (onetime...

Author: /time Magazine | Title: -BUSINESSMEN IN FICTION--: New Novels Reflect New Understanding | 12/3/1956 | See Source »

Dreiser v. Proust. The new trainee is not allowed to write. He copies books of Lowney's choice-Joyce. Hemingway, Faulkner, Dos Passos and Raymond Chandler. Says she: "They copy the story from comma to comma, from cover to cover. It helps their typing and helps them forget themselves." No writer dares copy anything else. One disgruntled ex-trainee remembers being caught with a copy of Proust, which "Lowney snatched from me, ripped up and threw away. 'I didn't tell you to read that,' she shouted. 'Your God-damned style's too intellectual...

Author: /time Magazine | Title: Books: Housemother Knows Best | 11/12/1956 | See Source »

...Fitzgerald, director of the Chicago Archdiocesan Council of Catholic Women. NODL's method, according to Fischer, is to put pressure on newsdealers, booksellers and drugstores to remove from their counters all books on a blacklist, which includes work of such literary mandarins as Ernest Hemingway, William Faulkner, John Dos Passes, George Orwell, Emile Zola, Arthur Koestler and Joyce Gary. "In some places-notably Detroit, Peoria and the suburbs of Boston," Fischer writes, "the organization has enlisted the local police to threaten booksellers who are slow to 'cooperate...

Author: /time Magazine | Title: Religion: Sex & Censors | 10/22/1956 | See Source »

...material which did appear, only the "Lawrison" piece could be described as successful. In a flat and unpretentious voice Ratte describes a way of life, or the change which it is undergoing. The voice is personal, the viewpoint biographical, and yet the tone is often that of a Dos Passos report to the nation. Perhaps because of the relaxed tone, perhaps because of the form, the reader does not expect any more of the story than he gets. A mood and perhaps an insight are offered, and whether or not this is enough, it is unquestionably all there...

Author: By Christopher Jencks, | Title: The Advocate | 9/26/1956 | See Source »

...vodka-primed attack on the U.S. There he talked of the "disgusting filth" emanating from American culture and spoke of "trite films . . . reactionary waste paper such as TIME" and American swing, a "contemporary version of St. Vitus' dance ..." Said he, speaking of the work of Writers John Dos Passos, T. S. Eliot, Eugene O'Neill, André Malraux, Jean Paul Sartre: "If hyenas could type and jackals could use fountain pens, they would produce such works." Next year, attending a Communist-front cultural conference in Manhattan, he was startled to find himself questioned about Soviet writers. Said...

Author: /time Magazine | Title: RUSSIA: Jackals with Fountain Pens | 5/28/1956 | See Source »

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