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...abandoned convents. Goats and chickens come with the terrain, as do water shortages, blackouts and the occasional political coup. Many lack facilities normally considered standard: research libraries, X-ray machines, fresh cadavers. But for about 15,000 U.S. students desperate to become doctors, the makeshift medical schools that dot the Caribbean represent a last chance. Failure to get into graduate schools in the U.S. once meant flying off to universities in Mexico, Italy or the Philippines. Lately, students have been turning to the Caribbean, where in the past half-dozen years 16 profit-making educational enterprises have flourished...

Author: /time Magazine | Title: Medicine: A Crackdown in the Caribbean | 6/4/1984 | See Source »

...headstones that dot the battleground are supposed to mark the site where each soldier fell, but some may be inaccurate, positioned later for dramatic effect. With so few clues, there are all sorts of unanswered questions: Did Custer die on the gentle hill where his body was found, or by the river as Indian tales say? Did the last troopers, as Indian veterans claimed, commit suicide to avoid being tortured? "The myths around Custer and the battle have become much bigger than the facts," says Vine Deloria, a Sioux author. "This could help set the record straight...

Author: /time Magazine | Title: New Light on the Last Stand | 5/28/1984 | See Source »

...Island of La Grande Jatte, Georges Seurat froze a score of weekend strollers into pointillist immortality. Now they are posed on a Broadway stage, thawing into something like life. The matron on the right, with the bustle and the chained monkey? She is the artist's mistress, Dot (Bernadette Peters), pretty as a picture but not quite so still; she would rather be at the Follies. See the white bundle a man at the rear is holding? That is the infant daughter of Dot and the artist; she will grow up in America, and in Act II her grandson...

Author: /time Magazine | Title: Theater: Sondheim Connects the Dots | 5/14/1984 | See Source »

Seurat was the wayward child of impressionism. Renoir and Sisley might seek to catch life on the fly; he would aspire to stasis. Their voluptuous brushstrokes were too imprecise, too sensational for this artist-scientist. Seurat worked dot by meticulous dot, woodpeckering the canvas with pricks of color that would fuse into meaning in the spectator's eye. So it is with the sculptor in Act II of Sunday in the Park with George. This George composes bit by bit, or byte by byte. He has created a computerized sculpture, Chromolume #7 (chromo-luminarism is an other critical term...

Author: /time Magazine | Title: Theater: Sondheim Connects the Dots | 5/14/1984 | See Source »

...Lapine follows Seurat's lead and dehydrates his actors into cardboard stereotypes. Nor is there a surfeit of "humma-mamumma-mamum-mable melodies," Stephen Sondheim's derisively witty phrase from his last show, Merrily We Roll Along. Sondheim long ago renounced such simple show-biz pleasures; neither Dot nor the audience gets to go to the Follies. This score is often doggedly mimetic, achieving its pointillist effects note by Johnny-one-note. Nearly every number begins with a staccato verse and chorus; it soars toward traditional musical passion only at midpoint, then withdraws into tart anticlimax. It takes...

Author: /time Magazine | Title: Theater: Sondheim Connects the Dots | 5/14/1984 | See Source »

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