Word: dou
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...Gerrit Dou's Astronomer by Candlelight is familiar to any fan of 17th-century Dutch masters. But if a recent claim by heirs to one of the most prominent World War II-era Dutch art dealers succeeds, Dou's painting will be taken from Leiden's De Lakenhal Museum and returned to the family of Nathan Katz. In all, Katz' four children are claiming 225 paintings and two tapestries from museums and institutions throughout the Netherlands...
...score for The Emperor's Shadow was composed by Zhao Jiping. From the mid-80s to 2000, while Tan Dun was in the U.S., Zhao was the PRC's preeminent movie composer, working with most of the A-list directors. For Zhang Yimou he scored Red Sorghum, Ju Dou, Raise the Red Lantern, Story of Qiu Ju and To Live. For Chen Kaige: Yellow Earth, The Big Parade, Farewell My Concubine, Temptress Moon and The Emperor and the Assassin. For Zhou Xiaowen: No Regrets and The Emperor's Shadow. For Sun Zhou: Heartstrings and Breaking the Silence. Of these...
Chow, the long-ago supercool star of Hong Kong crime movies, parades a magnificent malevolence he's not unleashed before. And Gong Li, working for the first time in 11 years with the director (and ex-lover) who made her an international star in Ju Dou and Raise the Red Lantern, shows a passion that has never been so animated or tearful...
Even in early films like Ju Dou and Raise the Red Lantern, Gong Li had a smoldering star quality. So a diva like Hatsumomo fits her like a cheongsam. She thinks she knows why her character is so mean to Sayuri. "In those days, a geisha could not have her own love," she says, speaking through an interpreter, "so she had a lover secretly. She's been deprived of her own love, her own feelings. She has great love and great hate. I thought she might have had the same kind of upbringing as Sayuri. She might have been beaten...
...kind of movies that critics call "epic" when they succeed and "overwrought" when they fail, films that swamp our eyes and yank at our hearts. Cinematographer Gu Changwei has shot many of Chinese cinema's most imperial tours de force?Zhang Yimou's Red Sorghum and Ju Dou, Chen Kaige's Farewell My Concubine, Jiang Wen's Devils at the Doorstep. But his directorial debut Peacock, surprise winner of the Silver Bear at this year's Berlin International Film Festival, is a bird of a far less flashy feather. A portrait of a family's struggles in a small Chinese...