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...California. They are a picture-perfect example of suburban pleasantry, with two comely daughters, Lynn (Vinessa Shaw) and Brenda (Emilie de Ravin “Lost”) and a teenage son (Dan Byrd). Despite protests from his “pussy Democrat” son-in-law Doug (Aaron Stanford, “X-Men 2”), Bob pledges to drive the “scenic” desert route...

Author: By Jessica C. Coggins, CRIMSON STAFF WRITER | Title: The Hills Have Eyes | 3/9/2006 | See Source »

...wrote.And then “Lucien” sprung a trap, Sylver wrote. “Like watch, pretend I’m one of those dudes who read the book. Do you wanna kiss me?” he asked the women.Or so Sylvester wrote.Neither Voice Managing Editor Doug Simmons nor Sylvester returned repeated phone calls and e-mails requesting comment last night.Though elusive now, Sylvester was a common sight on campus as a writer and music maven at Harvard. A Classics concentrator and a writer for the Harvard Lampoon—a semi-secret Sorrento Square social organization...

Author: By Lulu Zhou, CRIMSON STAFF WRITER | Title: Ex-’Poon Editor Caught in Scandal | 3/3/2006 | See Source »

...some issues, Reeves took a more forceful approach. He and his roommate and best friend, Doug Harris ’72 (the two believed they were the personification of Lorraine Hansberry’s play, “To Be Young, Gifted and Black”) fought for Harvard to divest from investments in Apartheid-era South Africa. When Harris helped coordinate a 1972 occupation of Massachusetts Hall, Reeves joined in the protesting...

Author: By Ximena S. Vengoechea, CONTRIBUTING WRITER | Title: Outside the Box | 3/1/2006 | See Source »

...Still, the debate could get lively. Says Doug Berman, law professor at Ohio State: "We're in uncharted territory in a lot of ways...

Author: /time Magazine | Title: Is Lethal Injection Legal? | 2/23/2006 | See Source »

...Capulets’ party, which is easily the strangest sequence in the play. It is hard to tell whether the director is to be commended or condemned for having the characters “vogue” to classical music and line-dance to Usher. However, choreographed by Doug Elkins, the sequence is undeniably and surrealistically entertaining, if a trifle sacrilegious. The set is just about the only thing that is stark and minimal about the production; yet even in its industrial appearance, it is as striking and visually stunning in its own way as the more over...

Author: By Elisabeth J. Bloomberg, CRIMSON STAFF WRITER | Title: The Bard Reloaded and Remixed with Gothic Twist | 2/20/2006 | See Source »

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