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Beyond that point in the freshman program, education becomes "a double transmission of skill and awareness," and the tone of Miles College becomes part of the classroom experience. The "classroom gold" which Monro has uncovered is a reading list of black authors--Frederick Douglass, W. E. B. DuBois, Martin Luther King, Malcolm X, Booker T. Washington and others. "Forget all these ideas that Hamlet is culturally useful," Monro says. "The students need to digest and think about these men and hammer out their feelings in discussions with their peers. Every young black person has awareness built into him. One thing...

Author: By Dale S. Russakoff, | Title: Miles From Harvard: The Black College | 2/7/1973 | See Source »

...women with no special wealth or influence, little or no political experience, and no uncommon genius, but with the modest combination of commitment to a cause and the facts to make a case." Like the Wizard of Oz telling the lion that he needed only a medal, Douglass W. Cassel, the author of this section, counsels citizens to write letters to their Congressmen, research issues and Congressmen's records in government publications, and organize to lobby. All of these approaches have been long used; the activists will succeed or fail according to a variety of circumstances independent of their dedication...

Author: By Deborah A. Coleman, | Title: Who Runs Congress? | 11/17/1972 | See Source »

...heads. "That ceiling was 500 years old," the German ambassador defensively informs a shocked Cabinet back in Washington. The Vice President (Lew Ayres), the victim of a recent stroke, lolls in his wheelchair like an unstrung marionette and proclaims his inability to take office. The torch is passed to Douglass Oilman (James Earl Jones), President Pro Ternpore of the Senate, prompting the Capitol's most prominent Dixiecrat (Burgess Meredith) to snort "the White House doesn't seem near white enough for me tonight...

Author: /time Magazine | Title: Cinema: A House Divided | 8/14/1972 | See Source »

...JOHN M. DOUGLASS...

Author: /time Magazine | Title: Letters, Jul. 31, 1972 | 7/31/1972 | See Source »

...fault of Director Gordon Davidson, who has used his original company from the theater without having them scale down their acting for the screen. Peter Strauss's reserved and affecting Thomas Lewis is an exception, as is Flanders' creditable Daniel Berrigan. Almost everyone else-most irritatingly Douglass Watson as Philip Berrigan-plays for the rafters. Haskell Wexler's superb photography, however, effectively challenges the visual restrictions of a transposed stage play...

Author: /time Magazine | Title: Cinema: Mandarin Morality | 6/12/1972 | See Source »

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