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Word: downbeats (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...when Bergen stepped slowly out onstage and gave the downbeat for her latest concert, she was greeted with the respect due a serious musician both by members of the symphony and old fans in the 2,800-member, capacity audience...

Author: /time Magazine | Title: Music: Mitty Maestro | 5/15/1978 | See Source »

...tour by ordering up a traditional, all-forks-barred banquet and decreeing: "Anyone who refuses to wear a kimono will not be invited." Delightedly, the eminent musicians swapped tails for robes. Then, they watched wide-eyed as their kinetic conductor swatted open a keg of sake with a lusty downbeat from a hammer. When the festivities were over, one veteran B.S.O. member opined: "We didn't have this kind of thing the last time we were here...

Author: /time Magazine | Title: People, Mar. 27, 1978 | 3/27/1978 | See Source »

Simple Dreams has more of a blues feeling than any other Ronstadt album. The mood is over-whelmingly downbeat, despite the occasional rock tunes. The lyrics, as in "Sorrow Lives Here," largely reflect the lonely-woman-of-the-world image that Ronstadt has always projected...

Author: By Earnest T. Bass, | Title: Coming of Age, Simply | 9/22/1977 | See Source »

...quite boogie time. The British rock group Emerson Lake & Palmer had not brought along a full 58-piece symphony orchestra for just another evening of chug-a-chug rock. As Maestro Salmon gave the downbeat, 9,500 fans, many reared on the violent excesses of Alice Cooper and Iggy Pop, got the first sampling of what was in store for them. From 40 huge loudspeaker enclosures suspended from the ceiling came the mighty sounds of Abaddon's Bolero, a work Composer-Pianist Keith Emerson has based on the same Spanish rhythm as the Ravel classic. After a few bars...

Author: /time Magazine | Title: Music: ELP: 72,000 Watts in the Name | 6/13/1977 | See Source »

...different side of Newcomer comes out in Nina Weiner's "Eliza's Rhythm." Following the easy jazz shuffles of Sally Greenhouse, Christie Blazo and Elizabeth S-Wilderson--all looking superbly professional in Weiner's choreography--Newcomer's solo section hits the floor on the downbeat whereas the others soar with the upbeat. This sort of subtle difference in expression is possible only when dancers have technique to throw away...

Author: By Susan A. Manning, | Title: Imaginative Scaffolding | 5/11/1977 | See Source »

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