Word: downrightness
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...lost. On surface, this holiday movie season looks downright banal. But look closer and you'll find the hidden gems. Next week, Oliver Stone delivers the adrenaline extravaganza Any Given Sunday starring Al Pacino and Cameron Diaz. The same day (talk about counterprogramming hitting counterprogramming, thus eliminating the point of counterprogramming), Jim Carrey does Andy Kaufman in Milos Forman's Man on the Moon. In this issue, we give you a look at The Talented Mr. Ripley, Anthony Minghella's follow-up to The English Patient that stars Matt Damon and Gwyneth Paltrow in a wicked little tale about murder...
...modern translators from Nabokov on. Fashioned by Durang as a kind of Charles Kinbote for the entire Western cannon, Garnett is as much a mangler of Russian literature as a scholar of it. (The Russian word for frustrated homosexual is Peter Tchaikovsky, she says). Played with unrelenting and downright hysterical formality by Thomas Derrah, Garnett becomes as loveable as she is overbearing. Listening to her roll her r's is worth the price of admission...
...However, the group's work also shines in the acoustic gem "The Battle for Evermore," showcasing the more folksy influence that would pervade later albums, and the downright languid blues-shuffle of "Since I've Been Loving You" is a welcome contrast to thrashing guitars, even if this foray into straight blues is a little uneven. All the tracks here could reasonably be considered necessary inclusions, although, as is inevitable, there are some notable omissions. The band's folk-based yearnings, so prominent on III, are almost ignored throughout. In general, their second and third albums are much more scarcely...
...they? Yeremin's staging and visual landscaping of Chekov's play is so breath-taking that we cannot be distracted from it. In Yeremin's hands, Ivanov on stage becomes as lush as Dr. Zhivago on film. The degree of unity that Yeremin orchestrates on a sensory level is downright astonishing. Scott Bradley's sets are a work of art in themselves, something of a cross between installation art and Isamu Noguchi's minimalist sets for the New York City Ballet. Add to that the light design of John Ambrosone, for whom no slant of light or subtlety of shading...
...carried away on stretchers from the collapsed bonfire repeatedly told reporters that they wanted the school to continue the tradition. To non-Aggies, the notion of using 7,000 trees and 125,000 man-hours to build a 55-foot bonfire for a football game is ludicrous, if not downright insane. But to Aggies, the bonfire represents the whole reason why they are at Texas A&M. Tradition is the very essence of Aggiedom...