Word: drabs
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Dates: during 1960-1969
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...usual aftermath of tearing down a house in one of Manhattan's more dilapidated sections is a drab parking lot enclosed by scabby brick walls. Artist Allan D'Arcangelo, 37, had a different idea. Seized like many another artist these days with the urge to Paint Big, D'Arcangelo grasped at the opportunity offered by a landlord who owns a five-story tenement next to a parking lot in Manhattan's East Village. The landlord agreed to turn over the side of his building to be used for a mural, put up the price...
...couple stay on in the house, and Bennett remains incapacitated. "One doesn't miss what one's never had," the bride (Hayley Mills) assures him. But a month later, she miserably confides her troubles to her mother-and overnight the truth is known all over their drab industrial town...
...more than they do Brezhnev. Correct, levelheaded, with a taste for anonymity and a dull, if cultured, public speaking voice, Kosygin emphasizes moderation and maintenance of peace. He is a widower-his wife Klavdia died of cancer last month-and has a married daughter, Liudmila Gvishiani. For all his drab public façade, Kosygin is capable of sharp, dry wit. On a visit to Britain last February, while dining with Tory Leader Ted Heath, he observed: "It is less fun to be in opposition in some countries than in others...
...scene reminiscent of Room at the Top, the camera shows waves of grass rippling idyllically -then cuts to another angle to show the backdrop of an ugly industrial town behind them. The film message is that there is room at the bottom for workers who still believe in the drab clichés of doctrinaire Communism. As the film's central figure, Jan Kačer plays a slogan-spouting, blockheaded factory worker -a model product of the Stalinist old regime. Representing the newer, more relaxed style of Communism are his cheeky blonde mistress (Jana Brejchov...
From Dark to Light. "You know, when you go by on a train," Hopper once said, "everything looks beautiful. But if you stop, it becomes drab." Hopper recaptured the magic of his first fleeting impression by eliminating detail. His canvases are generalized, his faces chastely drawn. But if this spared him the flaws of everyday existence, it also left him detached from the hurly-burly of everyday events. Hopper's canvases are universally lonely...