Word: dracula
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...Black Cat in which to appear together for the first time. Between them they have played all of the more awful whatnots and macabre personages of the past few years, Karloff in The Mummy, Frankenstein, The Mask of Fu Manchu, The Old Dark House and The Ghoul; Lugosi in Dracula, White Zombie, Chandu the Magician and Murders in the Rue Morgue...
...attempt to create a super bloodcurdling picture both Dracula's Bela Lugosi and Frankenstein's Boris Karloff have been thrown together that two monsters are better than one does not work out in this instance. Displaying a remarkable lack of originality in terrorizing devices and effects, the picture is hardly one to make children scream and women faint. Even more important, the plot is so complicated and incoherent that all sense of sustained terrifying suspense is virtually lost. Two such master-monsters as Lugosi and Karloff deserve a better vehicle than "The Black Cat" when they meet to match wits...
...remove hat, gleves, coat, and face, and reveal nothing but the wall beyond him is not an entirely new sensation (c.f. Dracula looking into a mirror and seeing nothing); but it is none the less grotesque and even somewhat amusing. The producers of "The Invisible Man" have not taken their creation too seriously, and so they have him do a jig down a country road with nothing but his trousers and an hysterically fugitive old woman to indicate his presence...
...capable, dinner-coated stock character Lieut. Valcour. Inspector Ellery & staff turn the theatre upside down, invade the musicians' room, wardrobe room, property room, and even, amid terrified squeals, the backstage quarters of the naked ladies of the ensemble. They question everyone: unholy Siebenkase (Bela Lugosi of Dracula); Madame Tanqueray, the wren-like wardrobe mistress; bug-eyed Billy Slade, impersonated by Ben Lackland. As usual, Mr. Lackland is playing the part of a rich young man with a Lot to Explain. All the giggling girls, comics and doormen have been interviewed when Inspector Ellery comes at last to the temperamental...
Good horror stories are rarer than almost any other kind of fiction. When the blurb-writer for The Werewolf of Paris wanted a horror-classic to compare it with, he hit on Bram Stoker's famed Dracula (1899). still the seldom-disputed favorite in its field. Author Endore's discursive narrative does not keep up to Dracula's plane but it has its moments...