Word: draculas
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...films can be made for $7 million (Desperado) or less than a million (Living in Oblivion). They may be based on plays (Jeffrey, from Paul Rudnick's comedy) or novels (Nadja, from Bram Stoker's Dracula). The stars may be esteemed actors (Gabriel Byrne and Kevin Spacey in The Usual Suspects) or the director's girlfriend (Maxine Bahns in The Brothers McMullen). Some sing, the others don't. But all prove that films can be intimate as well as epic, that off-Hollywood is one destination for films of the next century...
...Michael Almereyda's Nadja, smoking is one of the few pleasures a vampire can take without harm. The Dracula family has come to New York City, and Nadja (Elina Lowensohn) is a kind of Lydia Languish of the undead, striking fashionable poses as she plants her teeth in a few sweet necks. With her bleached face, impossibly high forehead and black hood, Lowensohn looks like Death in The Seventh Seal, only cuter...
Europe's benchmark bloodsucker is generally considered to be Vlad the Impaler, an inspiration for Dracula. Andrei Codrescu's novel The Blood Countess (Simon & Schuster; 347 pages; $23) offers an equally unattractive alternative: Elizabeth Bathory, a 16th century Hungarian tyrant alleged to have killed 650 girls in the belief that bathing in their blood would preserve her youth and beauty. Though never tried for mass murder, Bathory is said to have been confined to a room of her castle, where after five years she died...
...such an outrageous character not better known? According to Codrescu, more than three centuries of Hungarian governments have suppressed the records to protect the national reputation. One Dracula was enough. But Transylvania-born Codrescu may be blowing paprika in the eyes of history. A professor at Louisiana State University, a poet and a guest commentator on National Public Radio, he also edits the literary magazine Exquisite Corpse. The name is pinched from an old surrealist parlor game in which verse and drawings are collaged from players' contributions...
This plot will be familiar to any Dracula fan. Telly is the vampire, pestilent and possessed; Darcy is Mina, his virginal victim-to-be; and Jennie is both Lucy, the walking dead with the fatal love bite, and Van Helsing, the fearless vampire killer. But well before Jennie embarks on her long night's journey into daze, Clark and screenwriter Harmony Korine have worked at numbing the viewer with scenes of anomic decay. It's not the rough huff of the sex play with girls who look to be on the green side of puberty, though these trysts pack their...