Word: draftsman
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Dates: during 1970-1979
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...from where Pablo Picasso and Julio Gonzalez had left it in the '30s, and given it an extraordinary richness and amplitude. Indeed, his work in three dimensions was so magisterial that it blotted out the rest of his output. For Smith was not only a sculptor, but a draftsman, and his drawings, thousands in number, were an integral part of his life and thought. How important they were in relation to his sculpture can be gauged from the first exhibition of Smith drawings ever held, a showing that opened this month at New York's Whitney Museum. Organized...
...draftsman, Smith was fecund, prolific to the point of garrulity, and very uneven. In front of many drawings in this show one is made to feel that, had they not been created by one of the leading modernist sculptors, they would not command much attention on their plain aesthetic merits. Most of the work from the late '30s and early '40s is pastiche of one sort or another: a heavy line, now dogmatic, now uncertain, grinding across the paper, paying its digestive homages to Picasso, Gonzalez, constructivism generally and, rather surprisingly, to the bonelike figures of Moore...
...meantime, independent thinkers are busy hatching schemes to beat the system. "A great learning process is going on," says Madison Draftsman Dan Greco, who describes himself as a "lay expert" in conservation. On Block Island, R.I., where the last sizable stands of trees were cut and sent up the chimney decades ago, some residents are experimenting with drying and burning peat. Mantle kerosene lamps are in fashion through the Northeast: not only is their light soft and pleasant, but the heat they radiate is equal to almost half that of a small electric space heater...
...when large-scale magazine color illustration, thanks to radically improved printing technology, had become one of the keys to mass culture?the television, one might say, of pre-electronic America. It was the illustrators' moment; born into it, Rockwell kept climbing. By 1920 he was the Post's star draftsman. By 1925 he had become a national name, and by the end of the Depression he was an American institution: it is unprovable, but probable, that Rockwell's images did more to bolster the assaulted values of American bourgeois life after the Crash than all the politicians' speeches lumped together...
...image of massiveness that was to inspire Piranesi. From the busy Venetian theaters, he learned the art of stage design, which in those times ran to imposing fixed backdrops where ornate buildings receded in dramatic chiaroscuro. At 20, Piranesi landed a job in Rome as a junior draftsman in the retinue of a Venetian ambassador. He yearned to do his own buildings, but as he wrote despondently, "No buildings of today display the magnificence of the old ... nor is there any prince or private man inclined to create any such...