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...Hardy ever have his Tess firsthand. As a young architectural draftsman specializing in church restoration, he courted Emma Gilford, a solicitor's daughter. It proved to be a mismatch worthy of one of his own plots. "What very strange marriages literary men seem to make," Fanny, the wife of Robert Louis Stevenson, remarked after meeting Emma. She might have said the same thing after meeting Florence Dugdale, Hardy's second wife, who suffered from chronic depression. Typing up poetry that addressed Emma as "woman much missed" did little to cheer up the second...

Author: /time Magazine | Title: Books: Modern Nerves | 6/21/1982 | See Source »

...prospects for such a success were by no means clear twelve years ago, when Armani had to be cajoled away from his steady $40,000-a-year job designing men's wear for Nino Cerruti. It took the considerable persuasive powers of Sergio Galeotti, then 25 and a draftsman in a leading Milan architectural firm, to lure Armani from the kind of early middle-aged complacency he was slipping into. Armani, the second of three children of a transport-company manager in Piacenza, 40 miles southeast of Milan, grew up during World War II and remembers waking up screaming...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

...grown apace with the headquarters, today located on the first floor of a 17th century palazzo in the heart of Milan. Frescoes cover the walls and ceiling of Armani's office, from which mythological characters gaze impassively at the modern furniture (including a couple of nifty long draftsman's desks designed by Armani), models, staff and assorted items of evolving wardrobe. Armani has positioned paneling and mirrors around the room so that the frescoes can claim his attention only from above. "In Florence, you would look up there," he says but adds, gesturing toward his paneling, "in Milan...

Author: /time Magazine | Title: Giorgio Armani: Suiting Up For Easy Street | 4/5/1982 | See Source »

...does Pollock no service to idolize him. This point is that he grasped his limitations and refused to mannerize them. Thus he was by no means a natural draftsman, and his best paintings of the early '40s, like the She-Wolf or Male and Female, are set down with terrible earnest ness but with no graphic facility. When he set up a repeated frieze of drawn motifs, as in the mural he did for Peggy Guggenheim in 1943, the result-as drawing-was rather monotonous. But when he found he could throw lines of paint...

Author: /time Magazine | Title: Art: An American Legend in Paris | 2/1/1982 | See Source »

...arrival of Applicon has not produced the sort of worker backlash that might have been expected. Adapting to the new techniques was initially difficult, but now many of the draftsmen disdain the traditional drawing board. Says Ron Hendricks, 25, a Koltanbar draftsman: "I prefer what we have now. It takes everything out of drawing that was tedious. We never have to start from scratch any more." Adds one of his co-workers happily: "Once you learn how to use the system, it's great." Koltanbar's principal customer seems to think so too. At the GMC Truck & Coach...

Author: /time Magazine | Title: Productivity Booster | 11/2/1981 | See Source »

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