Word: draftsmanship
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Dates: during 1980-1989
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...represented here for the umpteenth time by Sandro Chia, Enzo Cucchi, Francesco Clemente and Mimmo Paladino. These figures have become quasi-official artists, like the stars of the Paris salons a century ago. Yet when the '80s have receded, it will seem odd that the feeble draftsmanship in Clemente's washed-out frescoes should once have been applauded, or that the lurid bombast of even the better works of Cucchi, such as the droopy head that lies like a huge Dalinian watch along the cemetery roof in Stupid Picture, 1982, could have been thought heroic in scale. In fact, there...
...College of Art and the Rhode Island School of Design in Providence. He was formally enrolled at R.I.S.D. for just two semesters but subsequently spent one year hanging out and letting his fantasies roam wild. "He was doing conceptual art," Tina Weymouth remembers. "David has never been one for draftsmanship." Byrne earned some money working the grill at a hot dog stand but largely devoted himself to experimental extravagance. At Maryland he formed a duo called Bizadi with an accordion-playing friend, and would sometimes perform with a lighted candle on his violin...
...than dazzling in its fluency; and there is nothing like it in American art today. Sargent was certainly no modernist, but the fiercely competitive atelier system of figure drawing that formed his style when he studied with Carolus-Duran in Paris also underpinned the high standards of early modernist draftsmanship in Matisse, Picasso or Beckmann. Hence, though his relation to the avant-garde was nil, he is no longer to be dismissed as a flashy bore. There is virtue in virtuosity, especially today, when it protects us from the tedious sight of an artist's guts on parade...
...will go to Zurich in the fall and New York City in the winter.) Comprising 241 paintings and drawings, with prints and assorted memorabilia, this will be remembered as the definitive Kokoschka show. The man it reveals, in his waxing and waning powers, his conflicts, insights and gifts of draftsmanship, appears as one of the most absorbing creatures of old modernism...
Levine works only from photographs-"I would be embarrassed to sit in [front of someone and make fun of him"-| and employs superb, old-fashioned draftsmanship to put character before comedy. "I try first to make a face believable," he says, "to give another dimension to a flat, linear drawing. Then my distortions seem more acceptable." While Levine often wields his pen as a poisoned dart, he thinks that there are definite limits to his art. "I might wish to be critical," he admits, "but I don't wish to be destructive. Caricature that goes too far simply lowers...