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Word: draftsmen (lookup in dictionary) (lookup stats)
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...recorded the artistic elites of the 1850s and '60s. Ingres loved doing portraits--and hated it. It was both hackwork and the vehicle of some of his highest instincts as an artist. It drove him crazy: "I don't know how to draw anymore," this greatest of 19th century draftsmen moaned to a friend. "I don't know anything anymore. A portrait of a woman! Nothing in the world is more difficult; it's not doable. I'm starting it over. It's enough to make a man cry." And he undoubtedly meant...

Author: /time Magazine | Title: Art: The Faces of an Epoch | 3/8/1999 | See Source »

...Guide" tells how picky patrons with unique sensibilities and refined tastes naturally influenced these artists. One might think the draftsmen were obsessed with French high culture, until one remembers that not all artists are happy if they are starving. Details of the teaching, evolution and politics of art and artists alike are recounted in succinct, if not breathtaking, prose. Stylistic languages, frivolous fads and "debates at the Academy on the merits of color versus line" populate the world of French draftsmanship...

Author: By Patty Li, CONTRIBUTING WRITER | Title: Mastery & Elegance | 1/8/1999 | See Source »

...Fogg and Sackler Museums have combined efforts to produce the first retrospective exhibition of the Italian artist Pietro Testa's works in the United States. Testa was one of the leading printmakers and draftsmen of the 17th century...

Author: NO WRITER ATTRIBUTED | Title: Art on Campus | 2/24/1989 | See Source »

...Hess make reasonable cases that fast-food restaurant design is the snappiest, purest expression of the American Zeitgeist at mid-century: architecture as billboard advertising, billboard advertising as architecture. Both authors note that the germs of the modern strip were the work of serious architects, not anonymous commercial draftsmen...

Author: /time Magazine | Title: Design: Legacy of the Golden Arches | 6/2/1986 | See Source »

...distrust of "academic" practices, since these were what modernism had "overthrown." High on playpen radicalism, the '60s brought a massacre of plaster casts and a general winding down of life drawing in most, though not all, American schools. Yet it is obvious by now that all the great draftsmen of the modernist era, from Seurat to Picasso, from Beckmann to De Kooning, were grounded in academic processes and could no more have done without them than a plane can do without a landing strip. Hence the paradox: a figurative revival partly spearheaded by the poorest generation of draftsmen in American...

Author: /time Magazine | Title: Art: Careerism and Hype Amidst the Image Haze | 6/17/1985 | See Source »

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