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Look for NCs from several vendors to hit the market around Christmas 1996. But if you want to plug a computer into your television set, don't waste your money on one. I'd recommend you drag out your old Commodore 64 instead...

Author: NO WRITER ATTRIBUTED | Title: tech TALK | 3/15/1996 | See Source »

...NIGHTCLUB CROWD WAITS impatiently downstairs, Starina, the headliner, sits at her dressing table. She powders away the age lines. She applies mascara to the eyes that have bewitched a thousand sailors. She runs an electric shaver over her chin stubble. It's hard work being a drag queen, as Starina (Nathan Lane), diva deluxe of The Birdcage, can testify...

Author: /time Magazine | Title: CINEMA: THE FINAL FRONTIER | 3/11/1996 | See Source »

Maybe The Birdcage--with its Romeo and Juliet plot about two young lovers and their opposing families, one gay, one straight--will challenge a few prejudices. For a start, it's funny, with two of the world's most gifted comics, Lane and Williams, as the drag queen and his slightly more butch companion. Lane is wildly endearing: a tempestuous wife, a doting mother and every inch the great lady. The film gets less comic mileage, but more political kick, from the right-wing politician (Hackman) who is the butt of the film's genial jokes. He might...

Author: /time Magazine | Title: CINEMA: THE FINAL FRONTIER | 3/11/1996 | See Source »

...propose the integration of gays--and by extension of anyone "different"--into an America that at the moment seems ready to take up arms and shoot holes in the melting pot. Indeed, that may be a part of Hollywood's continuing reluctance to confront the issue. As exotics--drag queens or dying swans--gays are fine fodder for movies. But Hollywood sees little need to show that the vast majority of gays are ordinary, reasonably complicated people. They are the folks who work next to you at the steel press or in the sales office...

Author: /time Magazine | Title: CINEMA: THE FINAL FRONTIER | 3/11/1996 | See Source »

...might have been just the stress of preparing for the opening of his new musical, Rent. Twice he went to the hospital, complaining of chest pains and a fever; his trouble was diagnosed as food poisoning, and he was given a battery of tests. He managed to drag himself to the last dress rehearsal, but colleagues were concerned: Larson, who rode his bicycle even on the coldest winter days, came in a taxi. "You could see he was trying to conserve his strength," says director Michael Greif. The next morning, when Greif arrived at a production meeting...

Author: /time Magazine | Title: THEATER: LOWER EAST SIDE STORY | 3/4/1996 | See Source »

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