Word: draggedly
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...more interesting cultural developments of the '90s is America's fascination with drag queens. Stemming from the blond wig and impossibly long legs of ubiquitous model-cum-disco diva, Rupaul, and the popularity of last year's fantastic, flip-flop-dress-filled Australian import, "The Adventures of Priscilla, Queen of the Desert," the popularity of drag now includes huge numbers of non-traditional (i.e. straight) fans...
Inside every gay man, the drag queen's fantasy credo goes, there's a beautiful woman just dying to accessorize. Take Vida Boheme (Patrick Swayze), the regal doyenne in To Wong Foo Thanks for Everything Julie Newmar. Vida is a Victoria among drag queens; she could be the perfect ad for sisterhood out of a 1947 Good Housekeeping. And Swayze, maintaining equipoise between camp and bathos, is every inch a lady...
...Wong Foo (whose unpunctuated title means...oh, nothing very much) has its larkish side, when the male stars are doing their struts and their dish. But it soon goes sappily didactic. Director Beeban Kidron and scripter Douglas Carter Beane want you to believe that the drag queen, because he is at ease with his ersatz sexuality, is a true liberator: he can teach feminism to women and manners to men, in this awful place called Middle America. The movie has its own fantasy credo: that heterosexuals are the real objects of pity and scorn. And gay men? Poor them...
...hard to miss from Virginia Street, Reno's main drag: an 80-ft. aluminum geodesic dome that looks like nothing so much as a huge bowling ball, proudly and appropriately perched atop the city's new $47.5 million National Bowling Stadium. Three years in construction, the Taj Mahal of tenpins opened in February. Its 80 lanes, under a 42-ft. ceiling, are wider than a football field; it has mauve banquettes, purple and green trim and permanent seating for 1,100 spectators. Scoring is fully automatic and displayed on the world's longest rigid, backlit video screen. Every aspect...
...Swingtime Canteen is not an excuse for a drag show. It is an evocative balancing act of music and comedy, parody and sentiment. The girls strut their tight harmonies with an Andrews Sisters medley--12 songs!--that's a wowser. And they escalate into feeling with I'll Be Seeing You. This gorgeous rendition works as a reminder of what the boys were fighting for, and what any struggle--war in the '40s, AIDS in the '90s--means to the combatants: pain and loss, and a sweet, frail hope...