Word: draggings
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Dates: during 1980-1989
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...woman from the past he does meet claims that she, not Linda Lovelace, is the "original Deep Throat." And she has the lung capacity to prove it, extinguishing a cigarette in one drag for emphasis. On her coffeetable are photographs of past lovers all of whom she has apparently felled with her oral ferocity. Our hero realizes it's time to exit when he sees a team snapshop of the entire local soccer club...
...creators of stage and screen, luring writers and directors to crash on the undramatic shoals of Nabokov's first-person prose. First Stanley Kubrick in his 1962 movie, then some forgotten adapter in an early '70s musical, and now Edward Albee in this vulgarized comic drama have attempted to drag Nabokov's characters from the sheltering artistry of his novel into the coldly objective glare of the theater. It's beginning to become unpleasantly clear that Lolita's appeal to directors and audiences alike lies not in its author's literary fireworks or psychological insights but instead in the simple...
This was the time for some replacements, or at least a time out. The players seemed worn out after the comeback, and started to drag. But there were no replacements and no time outs. Not until Yale had rebuilt its lead to a healthy 40-31, that...
...cussedness" we get plenty--a freewheeling assortment of burlesque gags and visual stunts. Wood grew up in the world of British music halls, and the influence appears in his predilection for puns, wordplay, and sexual humor (men in drag and a woman, Mary Jane Pendejo--played by Karen MacDonald--as Major Trumbull). This is wonderful entertainment, but it's going nowhere; Wood's view of moviedom--war as a ribald chaos prevents the play from establishing any dramatic focus or momentum, and the act lapses into a number of extraneous routines. It remains a wild burlesque with some high points...
...Though nearly always glittering, certain lyrics seem gratuitous as Hugh Wheeler's book parcels out plot in neat bits of dialogue. With such a story-laden vehicle, tangential songs become tiresome; we yearn for songs with more plot in them. Sondheim and Wheeler sensed this tendency for Sweeney to drag and judiciously chopped out half of an appallingly dull number in moving the show from New York to Boston...