Word: dramas
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Dates: during 1910-1919
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...winners will divide the $600 Fellowship. The competition is held annually, under the direction of the MacDowell Club of New York, and is particularly designed for undergraduates who have done promising work in connection with the drama and have not taken English 47. Professor G. P. Baker '87 judged the competition...
...interesting experiment is being made at the Toy Theatre this week, but an experiment that has already proved successful in Philadelphia. "The Modern Drama Players," as they are called, will present three one-act masterpieces in novel and original settings designed by Livingston Platt, formerly connected with the 47 Workshop and with the Toy Theatre. Mr. Platt has been very successful in his idea of "stagecraft" and his present designs show unusual talent...
...little more than two years ago the "Workshop," founded in connection with Professor Baker's courses on the technique of the drama, English 47 and a gave its first production. The workshop was not endowed; it had no entire of its own, nor even any definite to hold its rehearsals. Permission gained to stage its productions in Agassiz House Theatre, where the workshop has ever since produced its plays...
...which culminated so successfully in its first New York performance last month. Looking back over the years since the foundation of the club we can find a development extraordinary in its rapidity and highly important in its effect upon college dramatics. In response to a widespread interest in the drama at the University, the Harvard Dramatic Club was formed in the spring of 1908. What distinguished it from similar college organizations was the intention to present not well-tried plays already given, but the original work of undergraduates and recent graduates of the University. In short, although coming after most...
...Lichtenberger has made every effort to fulfill the engagements which remained for him in Boston. On Thursday evening he delivered the concluding lecture of his series at the Lowell Institute on "Contemporary French Music Drama," and conducted the repetition of Ropartz's "Miracle de Saint Nicholas" at the Kermesse Flamande for the benefit of the Belgian relief fund. At the University he arranged to finish his course on "Nietzsche," in Sever Hall, yesterday afternoon, and to complete his regular instruction at the University. Some engagements in Canada and his plan to give one more production of the Ropartz "Miracle" next...