Word: dramas
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Dates: during 1960-1969
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Thursday, August 14 NET PLAYHOUSE (NET, 8-9:30 p.m.).* "The National Theater of the Deaf, Encore" presents talented actors who perform entirely in sign language a Kabuki drama and Anton Chekhov's monologue "On the Harmfulness of Tobacco...
...high drama of man's first halting steps on the moon was recalled in remarkable detail last week when NASA released the first color photographs from the Apollo mission. The still shots in particular displayed the harsh beauty of the barren landscape around Tranquillity Base as strong unfiltered sunlight etched myriad craters in deep shadow. The 16-mm. motion-picture films of Eagle's touchdown on the lunar surface brought back that dangerous moment with tense immediacy. The movies were so clear and sharp that they allowed scientists to pinpoint the landing area precisely. And with the exact...
...troubled '60s, Wayne the political theorist and Wayne the film maker formed a merger. After mulling over the drama for 14 years, Wayne produced, directed and starred in The Alamo ? as Davy Crockett. The picture was about the Texans v. the troops of Santa Anna, but it was also, he said, "to remind people not only in America but everywhere that there were once men and women who had the guts to stand up for the things they believed...
...fire that consumes both: "Each time the cull deck shifted, tons of fuel would resettle and a hundred dozen sparks would be sucked upwards like the spores of some livid fungus." As his dispirited warriors of the soul wander the fire-blasted countryside, a suspenseful psychological drama is created that subtly expresses the themes of innocence, guilt and the corruption of the individual by society...
Roberta Maxwell misses little in her portrayal of Andrey's fiancee and, later, cuckolding wife Natasha, a vile and vulgar creature who ends up holding all the reins, and who insists on pretentiously flaunting her inadequate knowledge of French. Few scenes in all drama are as chillingly cruel as the one in which Natasha upbrades the loyal octogenarian nanny Anfisa and proceeds to advocate kicking her out because the old woman can't work enough, both does not convey sufficient age. (It occurs to me that director Kahn might have improved his production by switching the roles of Misses Maxwell...