Word: dramas
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Dates: during 1960-1969
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...WHISTLE IN THE DARK. Irish Playwright Thomas Murphy has written a drama full of the raw, roiling energy of life. The story of the Carney clan, moving in on a brother who has tried to flee their world of animal instinct, is full of the rude poetry of the commonplace. The performances are labors of love and skill, and Arvin Brown's direction is flawless...
...Only a cut above the amateur" was British Critic Ernest Newman's scornful evaluation of Czech Composer Leoš Janáček in a 1924 review of the opera Jenufa. "Atrocious drama and wretched theater," complained a New York Times critic after a 1931 performance of From the House of the Dead. Through years of such disasters,Janáček (pronounced Ya-na-chek) remained a proud, angry man who longed desperately for recognition and stubbornly believed that his peculiar brand of musicmaking would be vindicated. Now, four decades after his death, the often maligned composer...
...Brouček was a hit last summer at West Berlin's Deutsche Oper, as was the Stockholm Royal Opera's The Makropulos Case in Munich last month. The San Francisco Opera gave Jenufa its first professional performance last week on the West Coast. "Pile-driving drama," critics raved. "Music that stabs, jabs, spins, lunges, pecks, soars." This week 185 stations will carry National Educational Television's color production of From the House of the Dead, which is likely to provide an hour-and-a-half of emotional shock. The New York City Opera is planning...
From an entry of April. 1942 is the vision of a nightmare where "the world grows immense. a chamber of horrors. a tortured world." Another, from the year before, notes that Citizen Kane "magnifies a thousand times the drama of emptiness." A letter from Miller in Hollywood complains that "people are poor in spirit, low, mean, envious." Everywhere is the sense of chaos, of a suffocating cosmos. What is most remarkable about the Diary is its evocation of an age: Miller, Eugene O'Neill, the moribund Kenneth Patchen: they move like ghosts through the long years of the War. animated...
Here he loses the variousness of tone and emphasis in Hawthorne and Griffith. He builds a drama of natural behavior in a specific social, rather than ideal, setting. Griffith's abstractions and idealization disappear and with them the need to assault the audience with quick cutting to put across the characters' emotions. A much more direct realization of his material characterizing Seastrom's work. makes this work simply a powerful rendition of a story of thwarted love...