Word: dramatist
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Dates: during 1960-1969
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These esoteric oddities remind one that Brecht wrote this unusual play forty years ago, when he was in his early twenties. The young dramatist's Communism was as yet embryonic: The Chicago slums provide the location for his play, but only occasionally does he instruct his well-fed audience to "Look life straight in the eye." The play is less political and more metaphysical than maturer works like Mother Courage and The Caucasian Chalk Circle...
Only ingenious ineptitude could spoil a part in an unorthodox piece like In the Jungle of Cities. Careful interpretation counts for little when the dramatist delights in scorning conventional standards of behavior. There is no ideal way to deliver an ironic line like, "My mouth is not full of fancy talk--only teeth." Still, the Theatre Company of Boston deserves applause for carefully avoding all "fancy talk." They play In the Jungle of Cities as literal Brecht, vintage of 1924, complete with staccato speeches and as consistent tragi-comic flippancy that fits the dialogue perfectly. Among a dozen fine performances...
LOUIS EILSHEMIUS-Lewison, 50 East 76th. He was by his own accounting, an author, dramatist, composer, librettist, globetrotter, womanologist, inventor and mesmerist. Eilshemius was also a gifted artist who suffered more than most from a fickle public. This centenary showing begins with a beautifully precise drawing done at twelve, runs through his stay in Samoa and concludes with 1909. when he was 45 and still unknown (he died in 1941). Also a collection of his letters, photographs, poetry. Through March...
Although Marco is not top-drawer O'Neill, even the B-plus work of our greatest American dramatist merits full attention. Finished in 1925 and originally produced in 1928, the play has until now been revived only once, I believe-by the Harvard Dramatic Club at Sanders Theatre in 1954. It was an inspired choice on the part of Lincoln Center to offer this neglected treasure as a companion to Arthur Miller's new play, which it officially joined in repertory last night. (My remarks, it should be cautioned, are based on a viewing five days before the formal opening...
Welles's Othello has something for everybody and should not be missed. The humanitarian can test his English 124 training by trying to detect the cuts. The dramatist cannot fail to be impressed by Welles's from the exhibit of camera technique. And the average Brattle goer is sure to enjoy an evocative chase in--guess where--the Cyprus sewers...