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...real concern of The Makropoulos Affair is time. Adapted from a play by Czech Dramatist Karel Čapek, it deals with a 342-year-old woman who calls herself Emilia Marty. She has not aged much physically, but she has seen, heard and had just about everything and everybody. Longevity has drained away all feeling and left only a beautiful monster of ice and ennui. "There is no joy in goodness, no joy in evil," she says. "When you know that, your soul dies within you." Nevertheless, she is still human enough to be terrified of death, and the opera...

Author: /time Magazine | Title: Music: Monster of Ice and Ennui | 11/16/1970 | See Source »

...Forzano, 86, Italian playwright and librettist noted for his work with Puccini; in Rome. Forzano won plaudits for his librettos for Puccini's one-act Gianni Schicchi and Suor Angelica, and contributed librettos for such other composers as Mascagni, Leoncavallo and Lehar. Italians also remember him as the dramatist who nursed Mussolini's passion to write, thrice co-authoring plays with H Duce...

Author: /time Magazine | Title: Milestones: Nov. 9, 1970 | 11/9/1970 | See Source »

...awarding of the prize to Boris Pasternak in 1958. More tellingly than Pasternak, Solzhenitsyn bears witness to human degradation in the Soviet Union of the Stalin era. The world premiere of A Play by Alexander Solzhenitsyn at Minneapolis' Tyrone Guthrie Theater reveals the novelist to be a dramatist of feral power...

Author: /time Magazine | Title: Theater: The Invisible Nation | 11/2/1970 | See Source »

...Bergreen's case,, he was faced with the fact that drama imposes limits that no other literary form is forced to meet. The dramatist must work within the limits of dialogue and characterization, and cannot, like the novelist or poet, rely on narrative or third person of character to create his world. Fortunately, the Canterbury Tales are inherently dramatic, but there are symbols in them that are too large for an actor to handle because of the limitations of the human presence...

Author: By David Keyser, | Title: Theatre Canterbury Tales at the Loeb Ex last weekend | 10/26/1970 | See Source »

...Senegal's Poet-President Léopold Senghor had defined his concept of négritude, Price Mars was writing of the black man's need to accept his African heritage and to use it as a cultural resource, a theme echoed today by Martinique-born Poet-Dramatist Aime Cesaire. Accordingly, many of the Caribbean's contemporary radicals, like their counterparts in the U.S., talk about a spiritual return to Africa. Says Jamaica's Marcus Garvey Jr., whose late father emigrated to Harlem and founded a Back to Africa movement there in the early 1920s...

Author: /time Magazine | Title: The Caribbean: Tourism Is Whorism | 8/3/1970 | See Source »

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