Word: dramatists
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...following books by Harvard graduates have recently been published: "The Development of Shakespeare as a Dramatist," by G. P. Baker '87; "Evelyn Van Courtland," by W. H. Carson 1. '94; "A Victor of Salamis," by W. S. Davis '00; "The Russian Fairy Book," by N. H. Dole '74; "The Great Year," by A. T. Dudley '87; "Charles Russell Lowell," by E. W. Emerson '66; "The Life and Times of Stephen Higginson," by T. W. Higginson '41; "A History of the Inquisition of Spain," by H. C. Lea h. '90; "Wayeeses," by W. J. Long '92; "Lateral Curvature of the Spine...
...Assistant Professor and in 1905 Professor of English. He has published a number of books, among which are: "Specimens of Argumentation," "Lyly's Endymion," "A Midsummer Night's Dream," edited for a series of school classics, "Principles of Argumentation," "The Revolving Hedge," and "The Development of Shakespeare as a Dramatist." Professor Baker has written also articles for the Graduates' Magazine, the Harvard Monthly and the American University Magazine. He has given several lectures, chiefly on the modern drama, at Smith College, Wellesley College, and other places near Boston...
...White; The Treasury and the Banks under Secretary Shaw by Professor A. P. Andrew; Historical Sketch of the Finances and Financial Policy of Massachusetts, by Professor C. J. Bullock; The English Classical School of Political Economy, by Professor T. N. Carver; The Development of Shakespeare as a Dramatist, Some Unpublished Correspondence of David Garrick, Travellers' English, by Professor G. P. Baker; Die Stellung Amerikas sur Deutschen Kunst, by Professor K. Francke; Four Obscure Allusions in Herdu, by Professor W. G. Howard; An Introduction to Vulgar Latin, by Professor C. H. Grandgent...
Henry Arthur Jones, "Dramatist, for twenty years a leader in the revival of the English drama and its reunion with English literature...
...form somewhat different from that in which Mr. Blair presented it in Boston, 1899, but sufficiently faithful to the original. From first to last the interest of the spectator is kept tense; and, whether one agrees or not with the premises and the conclusion of the mathematician-dramatist Echegaray, he is likely to feel, when the curtain finally drops, that he has witnessed the performance of a work of real artistic value. J. D. M. FORD...