Word: dramatists
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...Venice, Clymbeline, and Henry IV. Although not appearing until after the Prologue, Lavinia is Shaw's leading character and spokesman. In his Postscript, Shaw calls her "a clever and fearless freethinker." She is one of his huge gallery of extraordinary women--a group unsurpassed by any other twentieth-century dramatist. Lavinia falls into the category of those persons passionately driven by con-science and commitment--like his Saint Joan, his Major Barbara, his Vivie (in Mrs. Warren's Profession), and his Lina (in Misalliance...
...second matter involves certain provisions of Shaw's will. Shaw left the largest fortune of any dramatist in history. Having long been vitally interested in language, pronunciation, and script, he specified that most of his estate be used to seek out and promote a more efficient British alphabet of at least 40 letters; and that, when such an alphabet was found, a parallel edition of Androcles and the Lion be published with the traditional and the new, phonetic alphabet on opposite pages...
...first installment, Shakespeare sticks closely to business. There are in Richard II no scenes of comic relief such as adorn the three succeeding installments. Here the dramatist concentrates on four main phases: Richard's regnal recklessness: his cousin Bolingbroke's victorious invasion to retrieve his rightful property; Richard's voluntary abdication; and Bolingbroke's assured assumption of the throne as Henry...
...dramatist, Hochhuth is arid and windy, substituting rhetoric for dialogue and debate for conflict. The drama is brought in from offstage like an imported delicacy-dispatches about the sinking of the Scharnhorst, or the discovery of the mass graves of Polish officers in the Katyn Forest, or telegrams from F.D.R. and Stalin...
Lawrence's posthumous triumph as a dramatist is shared by Director Gill, whose careful casting and slow, relentless holding of long silences allow the language to flower in the mind and the subtle relationships of these numb, dumb characters to take form. Seldom in years have London audiences sat so awed and hushed as at the final scene of Mrs. Holroyd, in which the coal-blackened body of a miner (Michael Coles), the victim of a pit accident, lies on the floor of his shack while his widow (Judy Parfitt) begins to wash him, keening to herself...