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...figures in this decades-long transformation is Picture Editor Arnold Drapkin, who was hired in 1951 to help start TIME's new color projects department. "When I began," he recalls, "color photos had to close five weeks before their appearance in the magazine. Then, from the mid-'50s to the late '60s, I flew from New York City to our Chicago printing plant almost every week because our color pages went to press several days before everything else. With today's capabilities, if we get color pictures on a Saturday afternoon, we can have them in the magazine that goes...

Author: /time Magazine | Title: A Letter From the Publisher: Jan. 21, 1985 | 1/21/1985 | See Source »

...alternative strategies: a striking splash of one color like a red or blue in a diagram, for example, on pages where we needed four-color but could not have it. Now we can go with our first choice of an illustration, whatever its nature." Says Picture Editor Arnold Drapkin, who was hired 33 years ago to help produce weekly color sections for TIME: "It is unbelievable to have a range of options that was only a dream when I arrived...

Author: /time Magazine | Title: A Letter From The Publisher: Apr. 30, 1984 | 4/30/1984 | See Source »

...will Gulfs 300,000 shareholders fare badly. They hold 165 million shares that since last summer have jumped in value from $40 to $80 a share, for a total gain of more than $6 billion. Says Donald Drapkin, a merger specialist with Skadden, Arps, Slate, Meagher & Flom, a leading New York City law firm: "Pickens created real value for Gulf shareholders in a stock that was stagnant before he arrived on the scene...

Author: /time Magazine | Title: Many Winners, Few Losers | 3/19/1984 | See Source »

...timers just before liftoff, the probes' circuits sense the rocket's vibrations and trigger the motor-driven cameras. "We do everything that a commercial lab does," notes Orth. "We have to be able to do anything and everything the company needs." Indeed, says TIME Picture Editor Arnold Drapkin, "the Photo Lab really comes through for us. During the U.S. invasion of Grenada last October, we received scores of rolls of film for prints and transparencies, from professionals and amateurs, and most of it late in the week. Five people worked for three days to process it and meet...

Author: /time Magazine | Title: A Letter From The Publisher: Feb. 6, 1984 | 2/6/1984 | See Source »

...majority of them in color, appear in the average issue of TIME. They are picked from among thousands of pictures that Time Inc. processes in its own photo lab, or collects from picture agencies and wire services every week. The goal of the Picture Department, under Editor Arnold Drapkin, is to find the pictures that best depict the persons or events in the stories they accompany. For the last issue of TIME every year, however, the Picture Department undertakes a very different assignment: creating the special section called Images, a portfolio of the year's best photographs. The pictures...

Author: /time Magazine | Title: A Letter From The Publisher: Dec. 26, 1983 | 12/26/1983 | See Source »

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