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Word: draughtsmen (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...force of statement and finish of workmanship are not to be matched anywhere in present day caricature. . . . One wonders why this should be, and one wonders also if the showing of Nast's work in a museum may not key up our draughtsmen to bolder expression. It certainly will key up the collectors...

Author: /time Magazine | Title: Art: Roly Poly | 3/21/1932 | See Source »

...Architectural League opened a one man show of the work of that gusty craftsman, Joseph Urban. It was more than a tribute. One dollar admission was charged for the benefit of the 1,700 unemployed draughtsmen...

Author: /time Magazine | Title: Art: Machines to Live In | 2/22/1932 | See Source »

...expected to pay $2, and promise to give another cocktail party in his home or office and invite twelve paying guests. Each of the twelve must invite eight, each of the eight, four-by which time 7,921 people will have contributed $15,842 to benefit the 1,700 draughtsmen, drunk approximately 31,-684 cocktails to the benefit of 1,536 bootleggers, eaten approximately 180 Ibs. of caviar to the benefit of the Union of Socialist Soviet Repub-lics...

Author: /time Magazine | Title: Art: Machines to Live In | 2/22/1932 | See Source »

...offices of Nabisco are in their big factory adjoining New York Central's West Side tracks. Here President Lowry may look into the engineering department (which fills part of two stories of the building), may also watch the busy bakers baking. And in the art department he may see draughtsmen carefully designing new products, submitting them to cutters for mechanical approval. For while a good 50% of the company's business is in staples with large consumption (Lorna Doone Shortbreads, Slim Jim Pretzel Sticks, Holland Rusk, Butter Wafers, Snow Peaks) much of it goes into 500 varieties of biscuits...

Author: /time Magazine | Title: Business: Nabisco | 7/13/1931 | See Source »

...rather disliked and distrusted the U. S. scene, the U. S. citizenry. In his later years it gave him an actual physical revulsion to shake hands with or touch strangers. As an artist he had a magnificent sense of composition, easily held his own in a generation of great draughtsmen: Sargent, Homer, Pennell, Abbey. Critics rate him among his contemporaries somewhere between Edwin Blashfield and John Singer Sargent. Like theirs, his mural paintings were always in the Grand Manner, highly symbolical...

Author: /time Magazine | Title: Art: A Clan Hangs | 3/23/1931 | See Source »

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