Word: drawerfuls
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...phones,” wrote Associate Dean of Residential Life Suzy M. Nelson in an e-mailed statement. “Now that nearly all students have cell phones, use of the red phones is almost nonexistent. After move-in the phones were usually placed in a closet or drawer and very rarely seen again until move-out.” Asked whether the removal of the room phones might pose a hazard in case of emergency, Nelson referenced the new campus alert system to be orchestrated this year via text message. Her e-mail to The Crimson also added...
...opening shots of "Vive Le Screwcap," Bonny Doon Vineyard's online video extolling the virtues of screwcapped wine, a faceless sommelier prepares for an evening at work, fastening his flashy cufflinks in a dimly lit boudoir. He reaches into a drawer full of corkscrews, scoops them up, and casts them into the trash. "Le cork est mort! (The cork is dead!)," the sommelier proclaims in a campy French accent. "Vive le screwcap...
...where most of my focus was. So politics is important me, something I think about a lot, but it is in my art a lot.”Her painted work eschews traditional perspective and techniques. As Salazar explains, “I think of myself primarily as a drawer, not a painter. In terms of the subject matter and what I’m thinking about, classical ideas of perspective are not really important, besides the point. I think about it more in terms of multiples, quantities, and patterns. Having rectilinear three-dimensional shapes wouldn’t help...
Other industry tactics also need policing. "I have an invitation in my drawer here to go to the Caribbean for four or five days with my wife, all expenses paid, just to go listen to a student-loan lender," says Dan Davenport, financial-aid director at the University of Idaho, which remains dedicated to direct lending. "There's such big money at stake that people are willing to do many different things to get that piece...
...careless contempt for agency protocol. One of the first things he does is send O'Neill out to steal a new computer from their colleagues down the hall. What begins to emerge, almost inferentially from Cooper's taciturn playing, is a portrait of a sharp knife nestled in drawer full of dull ones. A man this bright should have been on the bureau's fast track. Instead, he's on a side track, chugging along a bureaucratic road to nowhere. Hanssen's fuming impatience with the patronizing doofuses who have held him back is well, even comically, stated...