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...beginning of Iron Man - directed by Jon Favreau from a script by Mark Fergus, Hawk Ostby, Art Marcum and Matt Holloway - Tony Stark is nearly a cartoon villain, though he's drawn in the bold, confident strokes worthy of a '60s Marvel Comic cover by Jack Kirby. He has a Mephistophelean goatee and a glint in his eyes that suggests this former boy wonder is a genius at wasting his genius. He's a devoted practitioner of pride, lust and avarice, to name the fanciest of your deadly sins. This is a man who has got it all: wealth, power...
Throughout southern Iraq, members of the police and army are drawn largely from the Badr Organization, the chief rival of al-Sadr's Mahdi Army. That's why it was no surprise, said Lieutenant Ryan Lawson, who is based in Hilla, that the Shi'ite town's Badr-dominated forces were "chomping at the bit to go after [the Mahdi Army]" in recent fighting. In areas where al-Sadr's militia dominates, many soldiers simply deserted, either out of loyalty to the cleric or out of fear. "Most of the officers are scared that if they attack the militias...
Harvard’s $35-billion endowment has also drawn scrutiny from Washington, where Senator Charles E. Grassley, an Iowa Republican, has proposed legislation to make universities spend five percent of their wealth each year, as foundations must...
...film ended, a DAPA sparked talk among those in attendance by asking how relevant the movie was to Harvard. The discussion focused largely on the advertisement of alcohol, namely how beer and other liquor commercials often portray an average Joe surrounded by gorgeous women. “People are drawn to him like a magnet just because he has a beer in his hand,” says James E. Causey about the ludicrousness of the ads. Says DAPA board member JP F. Chilazi ’10 of the event, “I think ‘Spin...
Although Lampoon members have a reputation for being obnoxious and over-the-top, James A. Powers ’08, a soft-spoken Irishman, does not conform to stereotypes. Powers has illustrated covers for the Lampoon and drawn cartoons for The Crimson, but painting is where his passion lies. His work for the Lampoon is one of his proudest achievements at Harvard, but Powers enjoys painting because his work doesn’t have to fit into a niche. While growing up, Powers drew lots of comic strips, with Tintin as an early inspiration. But with his arrival at Harvard...