Word: dreadfulness
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Rose's fear is enough to strike dread into the Bellamys, who know their patrician comfort depends on a skilled corps of servants. Eaton Place may be home to the Bellamys, but it belongs to their servants: Mr. Hudson, Mrs. Bridges, Footman Edward and, of course, Rose, whom Actress Jean Marsh has made into the most fetching cockney sparrow since George Bernard Shaw detached a rib called Eliza Doolittle...
...would alone save it from that. The easy and obvious charge to bring against Mert and Phil is bad taste, but it, like beauty, is often in the eye of the beholder. More than likely, the play and Joseph Papp are being lambasted for presenting subjects that audiences deeply dread facing: the corruption of the flesh, the death of love, and growing old in bleak utter loneliness. There may be too little craft in Mert and Phil, but there is undeniable courage...
...might delay energy development that Britain desperately needs by causing the companies, mostly American, to look for safer, more profitable areas where they can place their capital. The National Enterprise Board, which will be run by Anthony Wedgwood Benn, the doctrinaire Minister of Industry, fills British businessmen with dread. They view it as a not-so-subtle tool for wholesale nationalization...
Waiting List. With their admirable courage and frankness, Happy Rockefeller and Betty Ford have effected a profound change in the general attitude toward a dread disease. Women are showing a new willingness to discuss breast cancer openly, to face it directly. Across the nation they are besieging hospitals and doctors' offices, seeking examinations and information. Manhattan's Guttman Clinic, which screens women for breast cancer, until recently received 30 to 40 telephone calls a day. It is now receiving as many as 400 calls, and has placed women seeking examinations on a waiting list that extends to January...
...cake and a giant vacuum cleaner. Better still, it requires Grodin to convert himself from a chronically depressed victim into a man of action. That development-as his voice-over narration, rather like a rehearsal for a Woody Allen monologue, makes clear-does nothing to alleviate his deep existential dread. "She is a very good person," he says with heartfelt gratitude as Bergen volunteers for a particularly dangerous bit of criminality. "This is a very frightened truck," he observes as their robbery vehicle draws up in front of 11 Harrow House to begin the caper. His comment, when Howard...