Word: dreadfulness
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RAJIV MEHTA, OWNER OF AN INTERIOR-DESIGN company in New Delhi, has come to dread his frequent business trips in India. Typically his flight approaches its destination only to have to circle the airport because of congestion on the ground. Thanks to India's economic prosperity and the booming growth of its airline industry, more Indians are flying today than ever. But they are enjoying it less, because more than half of all domestic flights are delayed 30 min. or more. "We needed this boom because people need to travel and we need choice," Mehta says. "But in some ways...
...life's recurring unpleasant moments that Rajiv Mehta, owner of an interior-design company in New Delhi, has come to dread. During Mehta's frequent business trips in India, his flight often approaches its destination only to have the pilot announce that the plane will have to circle the airport for a while-not because there's bad weather or a mechanical glitch, but because of congestion on the ground. Mehta's plight is shared by thousands of his countrymen. Thanks to India's economic prosperity and the booming growth of its airline industry, more Indians are flying today than...
...complete with emo hair. The movie suffers from a few weak elements that will take viewers out of the moment. Lots of the computer generated effects appear inexcusably fake. Sandman looks completely false and though Venom can be terrifying, he sometimes falls flat—instead of striking dread into our hearts, you kind of smile at his goofiness. There will also, no doubt, be dissent in the details. Diehard fans will feel bittersweet toward the film; the sequence of events is vastly different that that of the comics. For example, Gwen Stacy was Parker’s first true...
...Nicholas J. Shearer ’09, also plays a highly noticeable role in the production. Instead of music, scenes frequently end with an almost underwater-sounding roar that builds up from a whisper and eventually overwhelms the voices. It adds a certain feeling of unreality and almost of dread to the play, and works well as a counterpoint to the action at its more surreal moments...
...Hollywood had men-only genres too, especially the western. Cowboy films allowed for a token lady part, to give the hero someone to fight over; but she would never do the fighting, instead cowering, paralyzed with dread, during the final showdown. It wasn't until the exploitation movies of the '60s and '70s--the ones paid lavish tribute in Grindhouse--that the gals in guy-genre films finally had something to do: take charge, kick ass and kill people. The films weren't exactly feminist, since the actresses usually had to take off their blouses before they could flex their...