Word: dreading
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...this is the artistry that conceals artlessness. Sayles is reluctant to juice up the drama; maybe he's above such Hollywood devices. Though he can locate the dread gracelessness of real carnage in the film's climactic gunfight, the rest of the movie is lumbering as well. He pits a few good men against corporate Evil, then stereotypes their sanctity. Joe may be attracted to Elma, but the pacifist in him would never show lust: he doesn't do widows. And by the time the noble blacks start harmonizing with the noble Italians, you may be ready to cheer...
...Memphis Record is full of triumph and dread. It is saturated with Presley's power and baptized with his loneliness. "He tried not to show it," Phillips recalled, "but he felt so inferior. Presley probably innately was the most introverted person that ((ever)) came into that studio. He didn't play with bands. He didn't go to this little club and pick and grin. All he did was set with his guitar on the side of his bed at home. I don't think he even played on the front porch." He sang out and reached out, but, after...
...next to a sprawling Viet Cong corpse, pays ironic tribute to the enemy: "After we rotate back to the world, we're gonna miss not havin' anybody around worth shootin'." Later, when he picks off a couple of V.C. like fairground ducks, his face creases in a smile of dread...
...irony, of course, is that Reagan was elected to the presidency promising to overcome the often paralyzing effects of such a national state of mind and "get America moving again." But a renewed skepticism about public figures, be they political or religious leaders, need not be something to dread. In fact, it is something to be desired, a basic tenet of any truly democratic democratic theory...
...Harbison. His music is approachably tonal without being obvious; a Harbison tune is less a hummable melody than a strongly profiled motif designed to forward the musical argument, not seduce the ear. His structures are sturdy,his orchestration is crisp and clean. Yet this is not the dread "Princeton School" music of baleful repute, the arid note spinning that often characterizes the works of Ivy League composers like Milton Babbitt. Harbison, who as a teenager played jazz piano and who at Harvard led the Bach Society Orchestra, is an academic with a heart...