Word: dreaming
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Dates: during 1970-1979
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...Woody, who hasn't eaten in a couple of days, observes sardonically that "The more ya eat, the more ya shit"), truck drivers, boxcar bums and rod riders, and, of course, fellow Dust Bowl refugees. Both Woody and the viewer are seeing the hidden, dark side of the American dream--the poverty and misery of the unemployed masses contrasts starkly with the affluence of the epicureans and of the priest who refuses him charity on the ground it will weaken Woody's spirit...
...wife, is simply awful film fare. The case of the beautiful young actor's wife who bears the child of the devil, with the aid of the creepy people downstairs and tanin leaves, is just boring--the sense of horror builds so slowly the movie passes like a bad dream. Farrow gives a jittery, flittery performance; I leave it to you to place the blame--can she act, or is it merely what she has to work with? This film goes over like a brain tumor--avoid at all costs...
...killing all the occupants. But Amin had switched cars down the road -and survived. Later, a grenade bounced off Amin's cheek in another assassination try and rolled away before it exploded, killing Amin's driver. He has often said that he has been told in a dream exactly when and how he is going to die. "But I cannot tell you," he once remarked to TIME Correspondent Lee Griggs, "because that would spoil the suspense...
Caliente is dedicated to Carlos Santana, who Gato says has arrived at that place where "music is the memory of dream." Santana was born in Mexico, and his early musical efforts fused the sound of Latin America, Afro-Cuba and basic blues rhythm into a style that dazzled flower-powered San Francisco in 1967 at the debut of his band. They rivaled even the most luscious psychedelia of the time with their low key vocals and cosmic instrumentals. Their drums hammered out traditional rock while their guitars varied between folk, jazz and Jimi Hendrix. Santana made songs like "Jingo,"Evil...
Seeger returned to his dream of "a sense of community," a feeling of union and togetherness. He reminisced about a concert in Washington, back in the early '70s, where the audience was sharply divided ... "there were Quakers who just wanted to sit back and listen to music, there were students who wanted to throw rocks, and we couldn't find a song that all of them liked. I was asked to play one last song, so I played John Lennon's song, 'Give Peace a Chance,' and everyone started singing together, moving to the music ... for that moment everyone...