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Word: dreams (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Britain at her best, but Chancellor of the Exchequer Sir John Simon, while giving thanks, was obliged to announce that Britain can meet the mounting cost of World War II only if the whole population submits to "the most fearful sacrifices, some of which we have hardly begun to dream...

Author: /time Magazine | Title: GREAT BRITAIN: What They Deserve! | 12/11/1939 | See Source »

...Germany wins, she will emerge from the war too exhausted to dream of an armed conflict against us. ... She will have . . . vast colonies . . . Comrades, war must burst out between Germany and the Anglo-French bloc! . , . We must accept the pact proposed by Germany and work to prolong the war the maximum possible...

Author: /time Magazine | Title: RUSSIA: Stalin for Peace? | 12/11/1939 | See Source »

Swingin' the Dream (by Gilbert Seldes & Erik Charell; produced by Erik Charell in association with Jean Rodney). With Shakespeare a hit last season in musicomedy (The Boys from Syracuse) and The Mikado a hit in swing, it was dollars to doughnuts that Broadway would not rest until it had swung the Bard himself. Last week at Radio City's huge Center Theatre it swung him high & wide, turning A Midsummer-Night's Dream into a lavish jitterbug extravaganza. Shifting the scene from Athens to New Orleans around 1890 ("At the Birth of Swing"), it displayed clarinet-tooting...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 11, 1939 | 12/11/1939 | See Source »

...color-drenched spectacle, Swingin' the Dream is as good as a parade with floats, and some of its specialty acts are excellent. As a show, it falls flat as a pancake. It is overcrowded, overelaborate, too much of a good thing, like being in nine theatres at once. The authors seem to feel that if they have less than 50 people on the stage the audience will imagine it is intermission...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 11, 1939 | 12/11/1939 | See Source »

Further, the four distinct plots of A Midsummer-Night's Dream, which clog it plenty as a play, virtually wreck it as a musical. Helena, Hermia & Co. prove just as ghastly bores running loose in the wooded outskirts of New Orleans as in the Athenian groves. Nor are some of the headliners all they might be. Louis Armstrong should stick to his blast, not try to play Bottom. The Maxine Sullivan who sings Moonland is not the irresistible Maxine Sullivan of Loch Lomond...

Author: /time Magazine | Title: The Theatre: New Musical in Manhattan: Dec. 11, 1939 | 12/11/1939 | See Source »

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