Word: dress
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Dates: during 1980-1989
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Half of Aria's episodes can be considered briefly and passed over, like the bacon bits at a sumptuous salad bar. The connecting sequence, by Bill Bryden, takes way too long to let John Hurt dress up as Pagliaccio. Charles Sturridge's essay for La Forza del Destino -- an urban mural of children's faces -- is all dour style, a Bugsy Malone in Nighttown. The Bruce Beresford segment, from Erich Korngold's Die tote Stadt, is content to watch two young people disrobe in an English mansion. Robert Altman had the inspiration to show a restless 17th century audience...
...Russell was made for Aria. The music is Nessun dorma from Puccini's Turandot; the images are the last frenetic dreams of a dying woman. Ancient astral priests dress her for a mysterious ritual: paint on her body, diamonds on the soles of her feet, finally a branding iron pressed to her lips. A rude flash, and we see the scene of a car accident. The jewels are mortal wounds, the priests surgeons, the vision one of hope and fear for the unknown world that follows death. Visually, Russell's sequence is pitched at see above high- see. Emotionally...
...that the characters are at the same time confused about their sexual identities. Some are secretly homosexual or bisexual, some are secretly adulterous, some secretly share one or more of these traits and some display them openly. To further confuse things, some of the actors and actresses cross-dress to play people of the opposite sex. Almost sounds like a Pudding show...
...rich and rigid that it was ripe for satire. In 1954 Harvey Kurtzman's Mad comic book burlesqued the Disney cartoon world, with its talking animals wearing three-fingered gloves, its ducks in sailor suits but no pants, and a mouse named Minnie "with lipstick and eyelashes and a dress with high-heeled shoes; a mouse, ten times bigger than the biggest rat." This was mild stuff compared with a 1967 parody that Mad Alumnus Wallace Wood drew for Realist magazine. In the cheerfully scabrous "Disneyland Memorial Orgy," Walt's creatures behaved exactly as barnyard and woodland denizens might. Beneath...
Today is a quiet Saturday morning at Big Cypress. There are fewer than 1,000 players seated at the long card tables lined up diagonally across the concrete floor. A plump Indian woman in native dress moves up and down the aisles selling bingo cards. The players have set up their cartons of cigarettes alongside their Bic lighters, their coffee thermoses, their good-luck coffee mugs, their plastic cups of French fries, and their little signs that indicate what bus group they are with. They are mostly silent, hunched over their sheets of cards. Occasionally a cheer will...