Word: dressing
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Dates: during 1990-1999
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Copley was, in fact, the first American painter really to prosper on his home ground. To do so, he had to rise socially. The portrait painter has to have the same values, and preferably move in the same social sphere, as his clients. He must know the details of dress, possessions, gesture, expression--the whole theater of a sitter's self-representation--from within. Titian, Rubens, Van Dyck and Reynolds had shown that; and Copley, in a smaller domain, knew it too. In 1769 he cemented his place in the upper crust of Massachusetts by marrying Susannah Clarke, daughter...
...chose to try to be a friend and a reporter, but a reporter first," he said. "Jackie [Kennedy] never did like that. The day she came into Bethesda Hospital with blood on her dress she saw my wife and I and started to tell me what happened and then she had to stop herself and say, 'You can't print this... This is off the record...
...comedy (Much Ado About Nothing), as well as for Spike Lee drama (Mo' Better Blues). In just the past four months Washington has had starring roles in three very different films: the submarine drama Crimson Tide, the high-tech thriller Virtuosity and the murder-mystery Devil in a Blue Dress, which opens this week...
...performances, there is a smoldering Afrocentricity that gives his work depth, connecting it to a cultural reality larger than the movies in which he appears. In one scene in The Pelican Brief, he kicks at a cab that has passed him by. In Devil in a Blue Dress, his character takes pointed pride in being one of the few blacks in his neighborhood to own his own home. Says Carl Franklin, who directed Devil: "Denzel is blessed. He has 'it.'" Other black actors had it but never got the chance. Washington, at last, is getting...
...also a black man. But these two significant--and dramatically potent--differences aside, novelist Walter Mosley's creation is the truest heir we have yet had to Raymond Chandler's immortal Philip Marlowe. And writer-director Carl Franklin's cool, expert adaptation of Devil in a Blue Dress, Mosley's first novel, evokes the spirit of '40s film noir more effectively than any movie since Chinatown...