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Word: drews (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...medical reason why Harold Johnson should have been alive." Down to 90 Ibs.-he weighs 170 today-he was wasting away with dysentery. Dr. Kostecki, who had obtained two dozen intravenous feeding kits, held a lottery to decide which of the dying arrivals would receive treatment; Johnson drew a winning number...

Author: /time Magazine | Title: Armed Forces: Renaissance in the Ranks | 12/10/1965 | See Source »

There is no doubt that DeGaulle will win the runoff election, H. Stuart Hughes professor of History, emphasized last night. He said that Lecanuet and DeGaulle drew support from basically the same group of voters, and that most of Lecanuet's vote will shift to DeGaulle...

Author: By Linda J. Greenhouse, | Title: DeGaulle Gets Less Than Majority In Multi-Party Presidential Election | 12/6/1965 | See Source »

Wars, Presidents and newspapers have come and gone, and the columnists of yesterday still write on, as confidently as ever. Arthur Krock at 79, David Lawrence at 76, Walter Lippmann at 76, and Drew Pearson at 67 remain familiar if greying presences in the nation's press. Roscoe Drummond, 63, James Reston, 56, and Joseph Alsop, 55, have been around so long that they too seem part of the patriarchy. But the roster of challengers is growing fast...

Author: /time Magazine | Title: Columnists: New Wave of Challengers | 12/3/1965 | See Source »

...Stan Hindman, 21, Mississippi, 6 ft. 3 in., 235 lbs. Usually the pros resign themselves to making guards out of college tackles, because college guards are too small. Not this year. Iowa was the doormat of the Big Ten, but Niland still drew raves from 14 pro teams. Hindman, the scouts marvel, "can play any offensive or defensive position in the line, and he is as fast as most fullbacks...

Author: /time Magazine | Title: College Football: Pick of the Pros | 12/3/1965 | See Source »

Pomodoro, 39, started out making modern jewelry. Slowly his self-taught attempts at sculpture drew recognition, until prizes at the 1963 Sāo Paulo and 1964 Venice biennials won his works places in London's Tate and New York's Museum of Modern Art. For Pomodoro, the starting point is always solid geometry; the tension begins as he scars and gouges out his spheres, cylinders, cubes and disks. "The contrast between the polished and torn surfaces is precisely the difficulty of the individual to adapt to a new world," he feels. What he finds within evokes...

Author: /time Magazine | Title: Sculpture: Dissatisfied Aristotle | 12/3/1965 | See Source »

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