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Word: drews (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Indian art, letters and entertainments is escape. India today produces more movies than the U.S. Last year the nation's 4,500 movie theaters drew more than $100 million in box office receipts. Indians crowd the theaters, happily sitting through costume epics of three or more hours in length. Indian films are frankly escapist, and are divided into twelve categories ranging from "socials" that deal with city-country or caste themes to "myth-ologicals" that treat of Hindu legend in full color and dubbed voices (since the actors can't sing and the singers...

Author: /time Magazine | Title: India: Pride & Reality | 8/13/1965 | See Source »

Mark Bramhall and Marjorie Lerstrom drew the two roles most chopped up by the crossfire between Brecht and Farquahr. Farquahr's Worthy is an amorous country gentleman of leisure and a bit of a buffoon; Brecht's is a shoe merchant who plans to sell his boots to the platoon Plume recruits, and his mental temperature oscillates between extremet canniness and extreme romanticism. Bramhall might have made the role gell a bit better by treating some of Worthy's protestations as posturing. Miss Lerstrom faces the same problem with Melinda and resolves it by throwing herself vigorously into the lady...

Author: By Donald E. Graham, | Title: Trumpets and Drums | 8/9/1965 | See Source »

Each with its own formal geometry, patterns proliferated with a folkloric poetry all their own: Triple Irish Chain, Windmill, Wild-Goose Chase, Princess Feather, the Drunkard's Path. Some drew from the Bible, such as Rose of Sharon, Star of Bethlehem, or Jacob's Ladder. Others were celebrations of American history: Whig's Defeat, Eagles and Stars, and red, white and blue flag patterns. Others incorporated Pennsylvania Dutch hex signs or laurel leaves, in recognition of Napoleon's neoclassic symbol of glory. Superstitious quilt makers often spoiled the symmetry deliberately in order not to imitate...

Author: /time Magazine | Title: Crafts: A Stitch in Another Time | 8/6/1965 | See Source »

Cubism, however, was queen of art at the time; Chagall, who only knew Picasso casually, was out of the swim. His paintings at the Salon des Indépendants drew little acclaim and no money. Today, his paintings of 1910-14 are the most valuable and the most fascinating to art historians, who see in them the first stirrings of surrealism. The first person to recognize them at the time was Guillaume Apollinaire, poet and influential art critic, who muttered that Chagall was "supernatural." Apollinaire rushed home to dash off a poem titled Rotsoge (a poetic moniker, deliberately foreign-sounding...

Author: /time Magazine | Title: Painting: Midsummer Night's Dreamer | 7/30/1965 | See Source »

...time when Jungleers Martin and Osa Johnson drew crowds to see the movies of wild animals they took in Africa and Hunter Frank Buck drew cheers for bringing them back alive. But Beatty never sentimentalized over his beasts. "You can never be certain that a lion or a tiger won't hook you if it has the opportunity," he explained. "Big cats are wild by nature, even if they're born in captivity. They never develop any affection for their trainer, no matter how gentle he may be with them...

Author: /time Magazine | Title: Show Business: King of the Beasts | 7/30/1965 | See Source »

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