Word: driftings
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...enclaves. Since February, sectarian violence has forced more than 418,000 people to move, according to the most recent estimates by the International Organization for Migration. The real figures are probably much higher, since many go unregistered by the government or aid agencies as they find refuge with relatives, drift into makeshift camps or settle into homes previously occupied by members of another sect...
...tone of pastiche is even more obvious in the songs. Gould's farewell number, "Drift Away," recalls the elegiac mood of "Sail Away," the Noel Coward standard. "Will You?", the pretty ballad that closes the first act, takes its tonic cue from the 1936 Brown and Freed "Would You" that was introduced in San Francisco and reprised in Singin' in the Rain. The first few bars, and the whole mood, of Little Edie's lament "Daddy's Girl," are a direct lift from Sondheim's Follies song "In Buddy's Eyes." Little Edie's second-act fashion statement, "The Revolutionary...
...anything. (As TIME Theater critic Ted Kalem said of Cats back in 1982: "You'll leave the theater humming other people's better songs.") That's a shame, because Korie has a knack for clever lyrics; I'd never heard eunuch and Punic rhymed before. For the "Drift Away" bridge he conjures a lovely wistfulness - "Our tete-a-tetes, midnight duets, / Our breakfast tea and toast, / Funny how things that mean the least/ Are what we'll miss the most" - that approaches the pop poetry of Broadway's Golden Age lyric masters...
...Warne discredited the prevailing view that the only way to rout batting line-ups was to bowl fast at them. With his growing mastery of what had been the dying art of leg-spin, he reminded us that batsmen could be killed softly with archaic weapons like flight, drift and spin. Compatriots of yesteryear wish he'd arrived sooner. "If we'd had Warne," says former Australian fast bowler Geoff Lawson, "we'd have held our own against the great West Indian sides...
...German film? Does spending two hours watching a group of conquistadors drift down a river, dying off one by one (the plot of Werner Herzog’s classic “Aguirre, Wrath of God”) fail to inspire you? Fear not, Herzogophobes, because there is life after his brand of New German Cinema. The Harvard Film Archive (HFA) recognizes this salvation in an upcoming series: “Growing Up: The Films of Hans-Christian Schmid,” running from Nov. 18 through 21. The series, co-presented by the Goethe Institut Boston, aims to introduce...