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...father, Victor, half German and half Viennese, with his hearty manner and curious mind, was the biggest influence in his life, says Ueberroth. Perhaps because Victor's education ended in the eighth grade, he always had an encyclopedia near by and engaged his family in mind puzzles, a drill Peter used years later to brace his Olympic employees. His mother, Laura Larson, half Swedish and half Irish, had been ill almost from the time he was born. A Christian Scientist, like her husband, she died when Peter was four...

Author: /time Magazine | Title: Master of the Games: Peter Ueberroth | 1/7/1985 | See Source »

...found. Fern spores, very common in fossil records, are used to date the age of rocks below the earth's surface. Since scientists know that rocks of a certain age-or depth-are more likely to contain oil than others, fern-spore dating can help them decide whether to drill deeper to find...

Author: By Christopher J. Georges, | Title: Botanical Beast Or Buddy? | 11/16/1984 | See Source »

Robert W. Snyder '38, a funeral director from Riegelsville. PA, said he wasn't certain whether he would join the band on the field Saturday, adding that he would "see how stiff the drill...

Author: By Charles E. Cohen, | Title: Band Trumpets Its 65th Anniversary | 11/2/1984 | See Source »

...love object is a wealthy young woman (Deborah Shelton) with a body as taut and talented as a porn star's. Too soon, Jack finds he must share the fantasy. Another man is watching, one who has more violent designs on the woman: murder by a power drill that moves toward her and through her like the phallus of death. As usual, De Palma tips his hat (and his hand) with Hitchcock allusions: Is this his third remake of Vertigo? As usual, the director's gliding camera announces its presence quietly but surely, like...

Author: /time Magazine | Title: Cinema: Dark Nights for the Libido | 10/29/1984 | See Source »

...largely to Playwright Charles Fuller, whose A Soldier's Play earned the Pulitzer Prize and just about every other drama award of 1982, and to the Negro Ensemble Company, where the play was first staged. Every actor, from Adolph Caesar as the frog-voiced, wonderfully malign drill sergeant to Howard E. Rollins Jr. as the haughty black lawyer assigned to investigate the sergeant's death, puts subtlety and pride into his performance. Rollins is scarily imposing: he suggests a Sidney Poitier who refuses to ingratiate himself to anyone, least of all the audience...

Author: /time Magazine | Title: Cinema: Blues for Black Actors | 10/1/1984 | See Source »

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