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...show demonstrates, the major figures were highly individual artists. Perhaps their only unifying characteristic was exuberance-exuberance of size, exuberance of gesture. Instead of the carefully calculated stroke, there was the swirl of Pollock's drip paintings, the splattered brilliance of Willem de Kooning's terrifying women. Franz Kline's huge black-on-white compositions showed no more sophistication than a Chinese ideograph, but they conveyed the energy of the man that made them-and commanded a whole wall rather than a corner of a scroll. The smoldering color clouds of Mark Rothko drew a viewer...

Author: /time Magazine | Title: Painting: The New Ancestors | 6/27/1969 | See Source »

Nabokov's novels, prefaces and discourses drip with scathing references to Freud. His basic objection to Freudian theories is that they slight the creative imagination by putting it in a sexual straitjacket and by insisting that dreams and images are determined mechanistically. "I reject completely the vulgar, shabby, fundamentally medieval world of Freud," he writes, "with its crankish quest for sexual symbols (something like searching for Baconian acrostics in Shakespeare's works) and its bitter little embryos spying from their natural nooks upon the love life of their parents." Nabokov may yet get his wish to see Shakespeare in heaven...

Author: /time Magazine | Title: Books: Prospero's Progress | 5/23/1969 | See Source »

...king dressed in drip-dry and paisley...

Author: /time Magazine | Title: Singers: Into the Pain of the Heart | 4/4/1969 | See Source »

...Dustin comes on all of a heap. His stance is simian, his face an objet trouvé. The hair is from a thatched roof in Cambodia, the nose and chin from a 1948 Chevrolet, the hooded eyes from a stuffed hawk. Even the voice seems assembled, an oboe with postnasal drip. It all appears a shambles?until it begins to work, stunning audiences with articulate force. His current comedy, Jimmy Shine, is a mere vaudeville of the absurd. But within it is the vortical power of Dustin, pulling in the laughs, the cast and the audience. He growls like Durante, drones...

Author: /time Magazine | Title: Cinema: The Moonchild and the Fifth Beatle | 2/7/1969 | See Source »

...workmanship. Says Westermann: "I think they are beautiful. They're comfortable and give your ankles support." Wet Flower is his imagination at its most antic. Stylized flowers droop over a stone inscribed: "The pain and glory are half the story, the rest being rain." Droplets of clear plastic drip on the inside of the glass. "It's a flower on a rainy day seen through a window," he says...

Author: /time Magazine | Title: Sculpture: Fishhooks in the Memory | 12/20/1968 | See Source »

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