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Word: drip (lookup in dictionary) (lookup stats)
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...Hofmann, 75, was trained as an academic painter in Germany, later chummed with Paris' cubists. He made his name as a teacher, opened his own art school in Manhattan in 1934. Five years later he produced Red Trickle, which Dealer Sam Kootz calls the first application of the drip technique to painting. His art and thought have done as much as any man's to shape today's abstract expressionism, though never did an elderly, experienced and serious-minded teacher manage to seem so untaught...

Author: /time Magazine | Title: Art: The Age of Experiment | 2/13/1956 | See Source »

...Matas." The outrage was averted, and in 33 years goateed Dr. Matas raised Tulane's banner high. He was one of the first surgeons to operate behind a screen of sheets soaked in carbolic acid in an effort to achieve sterile conditions, one of the first to use drip infusions (such as sugar and salt solutions) into veins. And he invented a daring operation to open and then stitch together an artery which had developed an aneurysm (like a blister on an inner tube). When Matas retired at 67, the trustees imported Ochsner from South Dakota...

Author: /time Magazine | Title: Medicine: Bull of the Bullpen | 1/2/1956 | See Source »

Slow to make decisions, Chaudhri is steel-nerved in executing them. His favorite verse from the Koran reads: "Once you have decided, have faith in God and go ahead without faltering." Says one critic: "When he does rarely show an emotion, it is like watching oil drip from a robot's loosened joint...

Author: /time Magazine | Title: PAKISTAN: Frontier Democracy | 8/22/1955 | See Source »

Unfortunately, television encourages passivity rather than activity. It is easy. It is habit-forming. It fosters the dangerous idea that we can learn by letting knowledge drip on us like rain from heaven...

Author: /time Magazine | Title: Education: Invitation Only | 5/23/1955 | See Source »

...abstract art proved almost too much to take. Among the sculptures, only Richard Lippold's shimmering construction of chromium and stainless-steel wires and Alexander Calder's familiar mobiles drew much appreciative comment. French artists took a hard, professional look at Jackson Pollock's chaotic drip paintings and Clyfford Still's brooding black canvas. But most Parisians, rocked by what they considered a meaningless world, gave up trying to find anything "American" in most U.S. abstractionists...

Author: /time Magazine | Title: Art: Americans in Paris | 4/18/1955 | See Source »

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