Word: drive-in
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...OFFICES OF LIFE DYNAMICS, INC., SEEM ANYTHING BUT DYNAMIC. L.D.I. is located in a drab brick building in Denton, Texas, a few blocks away from the Howdy Doody Drive-In Grocery. Inside, the office has the businesslike air of a real estate brokerage--yet it soon becomes clear that there's a political passion here you won't find on display at Century 21. At L.D.I. coffee is served in mugs that read ABORTION STOPS A BEATING HEART. A smiling young man sitting in front of a word processor, one soon learns, was once arrested for his role...
...gunned down, sent to jail or on the lam from his responsibilities. From this sorority of the damned, writer-director Allison Anders (Gas Food Lodging) highlights four young women in the episodic Mi Vida Loca/My Crazy Life. For them, romantic yearning is like an image of lovers on a drive-in movie screen: huge and fleeting. The film has too many slow spots, and its message is laid on with a trowel, but it has a kind of perverse Hollywood glamour. When the camera holds on the gorgeous, thoughtful faces of Marlo Marron and Salma Hayek, beauty becomes truth...
...directors needed to feel awed by their source material. These weren't the signal teen films of the '50s (Rebel Without a Cause, The Wild One, Invasion of the Body Snatchers); they are forgotten schlock from the bottom of producer Sam Arkoff's Z-movie barrel. Maybe they were drive-in classics, but that's because kids didn't go to drive-ins for the movies. The A.I.P. films were moldy melodramas whose only nod to '50s spirit was in their titles. If they were to show up on TV now, it would only be as fodder for the brilliant...
...Flintstones fares better than Maverick. In Bedrock the finest restaurant is the Cavern on the Green. Down at the drive-in they're playing Tar Wars. People talk about spending a relaxing week in Rocapulco. Puns may be the lowest form of humor, but in this movie such wordplay is the only possible accompaniment for the pictureplay that runs throughout this merry story of "a modern Stone Age fam-il-ee": newspapers carved in stone; cars powered by feet; prehistoric creatures employed as primitive, parodic versions of contemporary labor-saving devices (dinosaurs are adapted to be lawn mowers, garbage disposals...
...difference is choice. The only choice a filmgoer or TV viewer has is to walk out or turn off. Even Star Tours and Universal Studios' Back to the Future ride are, at heart, drive-in movies; you're just driving in a car with no shock absorbers. VR, which lets you wander at will through a force field or minefield, offers a democracy of entertainment. As VR programmer Randal Walser wrote, "The filmmaker says, 'Look, I'll show you.' The spacemaker says, 'Here, I'll help you discover...