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Word: drivelings (lookup in dictionary) (lookup stats)
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...Crimson Key shows Love Story every year, so that you can ogle the Harvard settings and release all that pent-up aggression by jeering at former Yale professor Erich Segal's heart-burning drivel. You can also think about the decay of Ali McGraw's and Ryan O'Neal's careers since then--proof, I guess, that there is a God. Last year, as Ryan whined, "Love--(beat)--means never having to say you're sorry," the film got caught in the projector and a big brown blotch quickly bubbled over his face, smote, perhaps, by that great Film Critic...

Author: NO WRITER ATTRIBUTED | Title: A Guide to Freshman Week | 8/17/1979 | See Source »

...authors or citing reams of ridiculous data-- in four months of the New York Times, for example, Harvard was mentioned in connection with its graduates three times more than all other colleges combined. Essentially, the book is a 237-page collection of odd quotes, bizarre statistics, dull ancedotes, and drivel. The author strikes a particularly banal chord when he tries to add some organization to his endless list of alums. At one point, he tries to distinguish the difference between the proto-Harvard man--one whose ancestors also attended the school-- and the neo-Harvard man. From there, he somehow...

Author: By Robert O. Boorstin, | Title: The Harvard Mistake | 6/6/1979 | See Source »

...through the imposition of spectrum fees--charged to those who use the "public" airwaves. The argument goes as follows: Public broadcasting, if properly funded, provides a vital, public service, producing enriching and artistically sound programs. Commercial television, on the other hand, produces some sort of inferior, mind-rotting drivel--all in the name of the advertising market. Because commercial broadcasters limit access to a valuable resource, they should help fund the public system. Spectrum fees will provide a politically insulated, long-term form of financing...

Author: By Robert O. Boorstin, | Title: A Little Too Scalpel Happy | 3/9/1979 | See Source »

...have a more lurid color than the old ones. In one, Elizabeth (the stunning Nicola Pagett) discovers that her poet husband (Ian Ogilvy) is impotent, at least as far as women are concerned. Turning pimp, he persuades his publisher to perform his husbandly duties upstairs while he reads his drivel to a party in the drawing room. In another, Sarah (Pauline Collins), who has quit her downstairs job, returns to disrupt the other servants with seances and other outlandish acts. It is hinted that she and Rose (Jean Marsh, co-creator of the series) had had an affair when Sarah...

Author: /time Magazine | Title: Television: Return to Eaton Place | 1/15/1979 | See Source »

Mork & Mindy (Thursday, ABC, 8 p.m. E.D.T.). Were it not for one inspired stroke of casting, this sci-fi sitcom would be indistinguishable from the rest of the kiddies' drivel aired by ABC at 8 each night. Robin Williams, a new young comic, sends Mork & Mindy into hyperspace. The show casts him in the role of Mork, a friendly alien who settles in Boulder, Colo., with Earthling Mindy (Pam Dawber), after leaving the planet Ork. It's a premise more appropriate to Saturday morning TV than prime time, but Williams transforms trivia into a tour de force...

Author: /time Magazine | Title: Television: The 1978-79 Season: III | 9/25/1978 | See Source »

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