Word: driven
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...Feels” is not a predictable progression, but for this group that itself appears almost self-evident. Since the release of “Spirit They’ve Gone,” the band has reveled in the tensions between their more experimental noise and pop-driven structures. “Sung Tongs” was only a dress rehearsal...
...Museum by George C. Wolfe. This satire illuminates issues on black oppression and stereotypes throughout history in the medium of modern art. Agassiz Theater. 8:30 p.m. $7. (TMN)Purerockfury.com Concert. The popular web forum hosts a show featuring an eclectic mix of musicians, including Asect, Woodland Creatures, Superkollider, Driven, Counterculture, and Something Against You. 18+. The Middle East Upstairs. 8 p.m. $10. (MFK)Ongoing EventsLulu. Visiting director Brendan Hughes joins the Harvard-Radcliffe Dramatic Club to present Frank Wedekind’s controversial German play. Discover the irresistible story of a high society young woman living in Paris...
...Love You? (If You Won’t Lie Down),” Berman proves himself both a learned poet and a skilled parodist by reformulating Andrew Marvell’s “To His Coy Mistress” as a jangly, banjo-driven, pop trifle. “Tanglewood” isn’t solely a showcase for Berman’s dexterous lyricism: the Jews are a dynamic and cohesive musical unit. The band began as a collaboration between Berman and Pavement mastermind Stephen Malkmus, but this lineup includes such luminaries as bassist Paz Lenchantin...
...reporter Karen O’Connor (Alison Lohman), who idolized Morris and Collins in her youth (how amusingly Katie Holmesian), is assigned interviewing/ghostwriting duties for Collins’ sure-to-be bestselling autobiography. She determines to get to the bottom of what really happened to Maureen that night, driven by a desire to prove herself and her obsessive interest in the pair (both motivations are hammer-to-the-head bluntly laid out in intelligence-insulting voice-over form). In the process, she manages to sleep with Morris under an assumed identity, alienate Collins, and get plenty of standard-issue dire...
...action thereafter is driven almost purely by dialogue. Sophie, Hans, and other student members calling themselves a part of “The White Rose” are interrogated at the Gestapo headquarters, where the slimy, power-hungry officer Mahler (Jeremy R. Steinemann ’08) persuades reluctant Gestapo Chief Mohr (W. Brian C. Polk ’09) to hold the captives indefinitely. Mohr, in fact, stays true to his promise and does not let his prisoners go free...