Word: drollã
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Dates: during 2004-2004
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Dewis and Zackheim wallow in this sort of bad acting during Roberto Zucco, but Dewis mostly succeeds in building a useful character out of it. He knows when to pause, when to be frank, and when to be droll??€”and by so demonstrating that he knows how his character’s mind worked, he makes his emotionlessness believable. Zackheim is less lucky; his deeply disturbed characterization shades into Keanu-like detachment even at his moments of greatest passion. Meanwhile, Fleisig-Green swings back and forth between this aggressive flatness and an equally aggressive style of scenery-chewing...
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